A tragicomic debut by an impressive new voice.
A young mortuary cosmetologist seeks a balm for her own grief in the world of BDSM.
Amelia Aurelia loves her job. As the cosmetologist in the family-run Aurelia’s Funeral Parlour on the Australian coast, she is part of a well-oiled machine that seeks to provide burial services for the dead and the solace of a perfect funeral experience for the living. “As I brush makeup across Jennifer’s face,” Amelia thinks as she attends to a young woman who has committed suicide, “I wish I could tell her…how important it is for her people to see her like this, how they need to witness this image of her at peace before they can begin to feel peace themselves.” As good as she is at her job, however, Amelia knows that working so closely with grief takes an emotional toll that she seeks to address through daily, more-or-less anonymous sexual encounters with men who will “move [her] out of [her] head and into [her] body [and] fill [her] up with physical feeling to the point where emotions and thoughts [are] wrung out.” In this way, Amelia has created a fragile but working equilibrium, but when her wildly affectionate mother dies in a sudden accident, all of Amelia’s carefully built boundaries come tumbling down. Reeling with grief, she flees from her flamboyant stepfather, Vincent, her polyamorous brother, Simon, and her mother’s best friend, the irrepressible mortuary receptionist Judy, on the day before her mother’s funeral to stay with her emotionally distant biological father, Jack, at his isolated home in Tasmania. While there, Amelia falls into the BDSM scene, first as a sub taking part in an onstage pain scene, and then at the local kink club, the Widow Maker, where she begins her training as a domme. In both roles, Amelia struggles to manage her overwhelming grief as she moves through the rawest phases of her trauma and into the long, slow settling that comes after. At turns a rollicking sexual romp almost slapstick in its intensity and an existential meditation filled with the languid profundity of bodies at their final rest, this unusual novel navigates the most treacherous of emotional territories—the fault lines between love and grief, sex and death—with a deliberate lack of grace and real charm.
A tragicomic debut by an impressive new voice.Pub Date: Feb. 15, 2022
ISBN: 978-1-953387-12-7
Page Count: 212
Publisher: Two Dollar Radio
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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