A surprising Regency romance that combines intelligence and intrigue for satisfying results.
When even your mistress approves of your fiancee, you know you’ve found the right woman.
Constantine, Marquis of Kenilworth, is a classic gentleman: he takes care of his obligations to family and the House of Lords, and his life is “exactly as he wishe[s] it to be,” which is to say, he has a mistress, Aimée. But after he’s pressed into rescuing Lady Charlotte Carpenter from a kidnapping and the two are seen together, they must pretend to be betrothed to protect her reputation, upending both of their elegant lives. Every woman who cares for Con thinks Charlotte is a good match—even Aimée. Charlotte, however, is unconvinced, and an argument over his relationships with courtesans early in their betrothal means Constantine has to overhaul his life in order to win Charlotte’s affections—which becomes even more difficult after she is kidnapped again. The fourth entry in Quinn’s The Worthingtons series brings one of historical romance’s most raucously lovable families back to the page, and it plays a key role. Since Charlotte and Con are engaged early in the book, the tension of the story derives not from whether they’ll marry but whether they’ll be happy about it, and Quinn builds that tension through a skillful exploration of the real social pressures facing women in 1815. Of particular note is Quinn’s nuanced approach to the issue of prostitution in the Regency era. Where other historical romances have used mistresses as plot points rather than characters, Quinn, via Con’s awakening, explores the inequality behind the “choices” women make as well as the obliviousness of those who benefit from them. This subplot, combined with multiple kidnappings, secret family members, and a human trafficking ring, means the story can get a bit unwieldy and overcomplicated, but Con's and Charlotte’s earnest intelligence and chemistry will carry most readers past those hiccups.
A surprising Regency romance that combines intelligence and intrigue for satisfying results.Pub Date: Feb. 27, 2018
ISBN: 978-1-4201-4516-8
Page Count: 320
Publisher: Zebra/Kensington
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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