Copious historical details cannot mask a pointlessly slow pace. Might have worked better as a novella.
A reformed rake has to win the trust of a skeptical lady before he can woo her in this first of a traditional Regency trilogy.
Lady Adeline Wivenly is enjoying her first season in London when she attracts the attention of handsome flirt Frederick, Lord Littleton. “Frits” Littleton’s bloodline, wealth, and title make him a catch, but he is known as a rake. Worse, last year, he jilted Lady Dorie Calthorp, one of Adeline’s closest friends, after leading her on all season long. Frits knows he made a mistake with Dorie, but now he's ready to settle down, and Adeline has caught his fancy. Adeline avoids him as much as politeness allows, in deference to Dorie’s feelings, so Frits finds creative ways to cross her path during the usual social activities of the ton—carriage rides, plays, and balls. As Frits’ basic decency reveals itself, Adeline begins to question Dorie’s perspective. When she overhears another lady scheming to trap Frits into marriage, Adeline decides to warn him, throwing them together even more. In the meantime, Adeline is the target of an unscrupulous suitor who will stop at nothing to win her. Quinn (The Seduction of Lady Phoebe, 2019, etc.) creates a richly detailed traditional Regency world whose social rules dictate much of the characterizations and plot. Frits and Adeline are likable enough—they bond over their love of country life, especially animal husbandry—but their relationship moves at a glacial pace. Worse, they seem to have little effect on one another. While Adeline’s inexperience explains some of her naiveté, she is frustratingly bad at understanding basic human psychology. So many characters are crowded into the storyline that readers may need a chart to sort them out. A late and unwelcome incursion of politics and violence adds no excitement to the romance.
Copious historical details cannot mask a pointlessly slow pace. Might have worked better as a novella.Pub Date: March 31, 2020
ISBN: 978-1-4201-4967-8
Page Count: 368
Publisher: Zebra/Kensington
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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