Next book

STILL NEEDS WORK

An incisive, warm take on juggling the realities of home, work, and income.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A widow living in her run-down Kansas City childhood home contemplates her next moves.

Marianne is at a conference in San Francisco when Sharon, her Baltimore-based boss, gives her a heads up: HR will soon inform her of a department-wide layoff, and she’ll lose her telecommuting data job. She recently (and reluctantly) moved back to Kansas City, Missouri, from California following the loss of her husband, who died from “a long and expensive illness that left me able to afford only this wretched little house in this wretched neighborhood.” As Marianne looks for new jobs and collects severance and unemployment, she also works part time at the local hardware store, with its owner and sons helping her fix up her house and her ideas spurring store sales. She continues to work at the store even after Sharon sets her up with a contract position at a Chicago startup, which is partly remote but requires some on-site visits. By the novel’s end, Marianne experiences an incident near her home that forces a decision about whether she should move to Chicago for a full-time position or take a technology support job at the local school system for half the salary. California-based Barker, whose previous book was East of Troost (2022), has once again set a novel in the changing Kansas City region that she hails from with a lead who sometimes feels out of place. While it’s a bit puzzling that Marianne bought this house in this area, given that her parents “moved away in the mid-1970s,” Barker has crafted a relatable, weary modern worker in Marianne, who’s full of wry observances. (“All I’ve done so far is determine that I want to make a living by sitting on my butt at home.”)

An incisive, warm take on juggling the realities of home, work, and income.

Pub Date: June 11, 2024

ISBN: 9781647426804

Page Count: 296

Publisher: She Writes Press

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 15, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 239


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 239


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Next book

PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

Close Quickview