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STILL NEEDS WORK

An incisive, warm take on juggling the realities of home, work, and income.

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A widow living in her run-down Kansas City childhood home contemplates her next moves.

Marianne is at a conference in San Francisco when Sharon, her Baltimore-based boss, gives her a heads up: HR will soon inform her of a department-wide layoff, and she’ll lose her telecommuting data job. She recently (and reluctantly) moved back to Kansas City, Missouri, from California following the loss of her husband, who died from “a long and expensive illness that left me able to afford only this wretched little house in this wretched neighborhood.” As Marianne looks for new jobs and collects severance and unemployment, she also works part time at the local hardware store, with its owner and sons helping her fix up her house and her ideas spurring store sales. She continues to work at the store even after Sharon sets her up with a contract position at a Chicago startup, which is partly remote but requires some on-site visits. By the novel’s end, Marianne experiences an incident near her home that forces a decision about whether she should move to Chicago for a full-time position or take a technology support job at the local school system for half the salary. California-based Barker, whose previous book was East of Troost (2022), has once again set a novel in the changing Kansas City region that she hails from with a lead who sometimes feels out of place. While it’s a bit puzzling that Marianne bought this house in this area, given that her parents “moved away in the mid-1970s,” Barker has crafted a relatable, weary modern worker in Marianne, who’s full of wry observances. (“All I’ve done so far is determine that I want to make a living by sitting on my butt at home.”)

An incisive, warm take on juggling the realities of home, work, and income.

Pub Date: June 11, 2024

ISBN: 9781647426804

Page Count: 296

Publisher: She Writes Press

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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