If as much attention was given to context as to Evie and the dogs, this would be a strong novel. As is, it’s slight.
Dogs and humans save each other in this sentimental novel by Cooney (Thanksgiving, 2013, etc.).
After her first love and graduate school career fall victim to a cocaine habit, and after a stint in rehab from which she emerges sober but alone, Evie finds herself applying for and getting accepted into a program at the Sanctuary. Occupying a former ski resort at the top of a small mountain, the Sanctuary houses and rehabilitates rescued dogs and occasionally trains a human in the art of training these dogs. Cooney is very specific about the dogs themselves and the cruel situations they’ve endured, but she paints the Sanctuary in such broad strokes that it feels like a dream. Tonally, this matches the largely hands-off training program, run by a group of interchangeable nuns, and it keeps the focus on Evie, who embraces self-teaching. Doing constant research on her laptop with just a handful of leads from the nuns, she creates an extensive (and eventually tiresome) dictionary of dog-related terms that serves her well when she begins to interact with the rescue dogs. Like her abused canine charges, Evie is clever, evasive, defiant and rebellious, and though she has no previous animal training experience, she turns out to be a natural. Additional entries to the dictionary throughout the book reveal more heavy-handed details about the perils dogs face in the world but also allow glimpses into Evie’s interior. Despite all this, her empathy for the dogs feels slightly implausible. More subtle and rewarding are a few scenes from the viewpoint of Mrs. Auberchon, the outwardly bitter woman who runs the inn at the mountain’s base.
If as much attention was given to context as to Evie and the dogs, this would be a strong novel. As is, it’s slight.Pub Date: Aug. 5, 2014
ISBN: 978-0-544-23615-8
Page Count: 304
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 16, 2014
Kirkus Reviews Issue: Aug. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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