Wine lore and mystery, both historical and modern, combine in an enthralling read.



Is a cache of fabulously valuable Madeira hidden at Montgomery Estate Vineyard, whose straitened finances could certainly benefit from the discovery?

That’s one of the questions Lucie Montgomery (Harvest of Secrets, 2018, etc.) seeks to answer after a strange conversation with wealthy Prescott Avery. His family is hosting an after-Thanksgiving party, and Lucie and her fiance, Quinn Santori, have been invited to enjoy a Brazilian meal and plenty of booze. Now that Prescott’s pledged to give most of his fortune away, his heirs are busy fighting among themselves, especially over his plans to sell the Washington Tribune. Escorting Lucie to his wine cellar, Prescott offers to buy the Madeira her great uncle purchased in the 1920s, a wine originally slated to be served at a ceremony marking the anniversary of the signing of the Declaration of Independence attended by President James Madison. But Lucie’s never heard of it—and if it did exist, she assumes her father sold it to finance his gambling habit. Showing Lucie a handwritten copy of the Declaration given to Madison by Jefferson, Prescott tells her to look for clues in a safe-deposit box he insists her father used and hints at a mysterious treasure that could be dangerous if revealed. Lucie’s ready to leave when she realizes she left her phone in the cellars and returns to find it along with Prescott’s body. Prescott’s death proves to be murder, and his family members are the prime suspects. At length, Lucie finds the hidden keys to the safe-deposit box. The papers inside provide further clues about Prescott’s dangerous secret. Fascinated by a mystery that involves the Founding Fathers, the Masons, and even the Jamestown Colony, Lucie plows ahead despite the danger.

Wine lore and mystery, both historical and modern, combine in an enthralling read.

Pub Date: Nov. 5, 2019

ISBN: 978-1-250-16485-8

Page Count: 368

Publisher: Minotaur

Review Posted Online: Aug. 19, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.


Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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