An invalidating and tactless lesson about coping with the sudden loss of a friend.
A squirrel and a snowman cherish their friendship and hope it will last forever in this Belgian/Dutch import.
When Squirrel sees a shivering, sobbing snowman alone in the cold, she gathers scarves and blankets with the other forest animals to keep him warm. Her act of kindness begins a friendship full of fun that inspires the whole forest to join their play. However, the snow starts melting as the “days fly by,” and Squirrel’s best friend disappears, too. All the forest animals experience the loss. Collagelike illustrations cover every spread with whimsical, wintry scenes, leaving no white space apart from the snow. DeLange foreshadows the snowman’s inevitable demise with warmer weather, so his melting arrives naturally, but the resolution afterward is abrupt and offers hollow closure. Owl’s words of comfort (the concluding lines of the book) dismiss Squirrel’s feelings about the loss of her best friend with the platitude “Don’t be sad”: Snowman lives on in the flowers, leaves, and hearts of his friends. Bright spring colors in the background correspond with this tone of forced positivity. The story introduces no twists or surprises to the “melting snowman” trope. While the celebration of friendship and kindness is sweet, the treatment of Squirrel’s grief gives the story’s overall message an insensitive ring.
An invalidating and tactless lesson about coping with the sudden loss of a friend. (Picture book. 3-6)Pub Date: Oct. 1, 2019
ISBN: 978-1-60537-449-9
Page Count: 32
Publisher: Clavis
Review Posted Online: Aug. 11, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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