An uneven but engrossing page-turner.
Nothing is quite what it seems in this historical novel set in occupied Paris during World War II and the New York publishing world of the 1950s.
Charlotte Foret, a young widow with an 18-month-old daughter, runs a bookstore in Nazi-controlled Paris. Her husband has been killed in the war; her father, a left-wing publisher, is on the run. Food is scarce while the fear of arrest and deportation to a concentration camp is constant. A polite German officer becomes a regular at the store, browsing and occasionally buying a volume. Charlotte is disturbed by his presence and tries to ignore him. But when he turns up one day with an orange for her hungry child, things begin to change. Intercut throughout are scenes from Charlotte’s life in Manhattan a decade later. With the help of Horace Field—a prominent publisher who knew her father—and Horace’s wife, Hannah, Charlotte and daughter Vivi have made a fresh start. Charlotte works as an editor for Horace while Vivi, now 14, is a lively, inquisitive scholarship student. Horace is confined to a wheelchair from wounds suffered in the war; nonetheless, he begins to display a more than mentorlike interest in Charlotte. Complications ensue. It’s hard to get your bearings in the novel’s awkward beginning pages. But author Feldman soon regains control, and the narrative proceeds at a brisk pace. There are multiple revelations: All the major players have something to hide. Though some of their secrets are a bit improbable—leaving the reader feeling intentionally misled—it doesn’t much matter. The story is involving, and the big-ticket themes—having to do with loyalty, betrayal, and what it takes to survive—are mostly handled in a graceful, nuanced way (though Charlotte’s guilt does feel overblown). Wartime Paris is described in vivid, sometimes harrowing, detail.
An uneven but engrossing page-turner.Pub Date: Aug. 4, 2020
ISBN: 978-1-250-62277-8
Page Count: 368
Publisher: St. Martin's
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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