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ANABASIS

A JOURNEY TO THE INTERIOR

A pro ventures out on a limb, and it cracks.

Although it is something of a relief that Gilchrist (Starcarbon, etc.) has struck out in a new direction after writing so much about the Hand family, this bland tale of a goody-good slave girl set in Greece in 431 b.c. lacks even a touch of irony.

Auria is happily apprenticed to a kindly healer named Philokrates who has taught her to read and write, and both reside in the villa of her master, Meldrus, until, all in one day, Philokrates dies, Meldrus' wife gives birth to a fifth daughter, and Auria witnesses another slave leaving the baby outdoors to die. Horrified, she runs away with a goat and a dog and saves the child. The four of them discover a wooded sanctuary that has obviously been inhabited and then abandoned and set themselves up there. Eventually, Auria meets Meion, a former mining slave who lives in a camp with other runaway slaves. They fall in love and marry, although the reception is somewhat subdued after the ailing leader Leucippius cannot hold his arm up long enough to toast them and Auria must immediately begin healing him. When Meion hears that his mother has been captured by the Peloponnesians, he takes off to find her. To keep her busy in his absence, Auria is assigned to create a school for the camp's young children. Gilchrist explains that she dreamed up Auria as a child when her mother read her Greek myths, and this novel has the tone of a young-adult biography, sort of a Little House on the Prairie in tunics. The dialogue is so somber that it becomes dreary ("Swear by Apollo that you will not die in battle or leave me ever''). As a saintly bore, Auria is never a credible character.

A pro ventures out on a limb, and it cracks.

Pub Date: Sept. 1, 1994

ISBN: 0-87805-726-9

Page Count: 192

Publisher: Univ. Press of Mississippi

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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