A pro ventures out on a limb, and it cracks.
Although it is something of a relief that Gilchrist (Starcarbon, etc.) has struck out in a new direction after writing so much about the Hand family, this bland tale of a goody-good slave girl set in Greece in 431 b.c. lacks even a touch of irony.
Auria is happily apprenticed to a kindly healer named Philokrates who has taught her to read and write, and both reside in the villa of her master, Meldrus, until, all in one day, Philokrates dies, Meldrus' wife gives birth to a fifth daughter, and Auria witnesses another slave leaving the baby outdoors to die. Horrified, she runs away with a goat and a dog and saves the child. The four of them discover a wooded sanctuary that has obviously been inhabited and then abandoned and set themselves up there. Eventually, Auria meets Meion, a former mining slave who lives in a camp with other runaway slaves. They fall in love and marry, although the reception is somewhat subdued after the ailing leader Leucippius cannot hold his arm up long enough to toast them and Auria must immediately begin healing him. When Meion hears that his mother has been captured by the Peloponnesians, he takes off to find her. To keep her busy in his absence, Auria is assigned to create a school for the camp's young children. Gilchrist explains that she dreamed up Auria as a child when her mother read her Greek myths, and this novel has the tone of a young-adult biography, sort of a Little House on the Prairie in tunics. The dialogue is so somber that it becomes dreary ("Swear by Apollo that you will not die in battle or leave me ever''). As a saintly bore, Auria is never a credible character.
A pro ventures out on a limb, and it cracks.Pub Date: Sept. 1, 1994
ISBN: 0-87805-726-9
Page Count: 192
Publisher: Univ. Press of Mississippi
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
IN THE NEWS
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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