Hart (The Grave Soul, 2015, etc.) connects the events of the main story to a brief opening chapter presenting a savage...

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FEVER IN THE DARK

A video gone viral forces a couple to confront one member’s past and decide whether it means they can still have a future together.

Cordelia Thorn is no stranger to drama. Her friend Jane Lawless is a part-time private eye who’s relied on Cordelia’s help in a number of cases. Though Cordelia’s job is to run Minneapolis’ Thorn Lester Playhouse, she’s drawn to mysteries like the one involving her stage manager, Fiona McGuy. Fi’s just returned from a trip celebrating her one-year anniversary with her wife, Annie Johnson, and the two are shocked when they’re greeted by strangers at their house. Fi’s sweet but very personal proposal to Annie has somehow gone viral, and folks are lined up to praise or protest the happy couple. Though Fi doesn’t understand the big deal, Annie is horrified. So Fi asks Cordelia and Jane to try to figure out which emails they’ve received are from admiring new friends and which from frightening foes. When Annie’s estranged family appears out of nowhere, Fi starts to get a better idea why Annie’s been so afraid of the video’s internet reach. Apparently Annie’s been all but hiding from her family, and their arrival may be the prelude to a day of reckoning with one family member with whom Annie had a bad run-in in the past. All the while Jane is investigating Annie's and Fi’s lives, her own life seems to be about to change, as an old flame returns, determined to rewrite her story with Jane.

Hart (The Grave Soul, 2015, etc.) connects the events of the main story to a brief opening chapter presenting a savage murder, leading readers up to the attack and beyond while revealing the potential murderer’s motive.

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-08863-5

Page Count: 320

Publisher: Minotaur

Review Posted Online: Nov. 7, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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