Combining visual verve with a sense of our worldwide connectedness, this both teaches and entertains.
A playful subversion of animal abecedaries.
Heck plumbs 68 non-English languages for 26 animal names that begin with different letters or sounds than their English counterparts. Thus, “G is for Cat” for speakers of Spanish (gato), Ojibwe (gaazhagens), and Korean (goyangi). I is for fish, O for eagle, and S for Lion. Frequent last-place-holder zebra is under V here—“Varikkutirai,” in Tamil. Heck includes languages spanning the globe, including those of several Native American tribes. As she explains in her author’s note, some of the represented languages with non-Roman alphabets or alternate writing systems are transliterated to represent the sounds that speakers make when saying the animal name. Against richly colored backgrounds, the black-and-white scratchboard illustrations dramatically employ contrast and texture. Hand-lettered display type enhances the visual drama and zestfully celebrates the multiplicity of animal names. Cleverly, each letter is hidden somewhere in the composition of its illustrated page, adding an A-to-Z seek-and-find element for children. Readers are also invited to use publisher-supplied links to hear native or fluent speakers pronounce the animal names. An alphabetized index links the languages to their respective letter(s). Cultural or geographical addenda might have further enhanced children’s understanding of this package’s truly global nexus. (This book was reviewed digitally.)
Combining visual verve with a sense of our worldwide connectedness, this both teaches and entertains. (Picture book. 4-8)Pub Date: May 3, 2022
ISBN: 978-1-64614-127-2
Page Count: 40
Publisher: Levine Querido
Review Posted Online: March 23, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
BOOK REVIEW
These pears will be fun read-aloud companions for curious eaters and budding botanists
Paul (The Great Pasta Escape, 2017, etc.) merges theatrical farce with informational picture book in this latest.
If pears could stage a production to tell the story of their life cycle, this would be that show. Two excited young seeds, one depicted as feminine (with a little red hat and a decorative flower) and especially anxious, the other a masculine know-it-all (accessorized with a bow tie and a cane), announce they are going to be pears as this biological play begins. First, of course, the seeds need soil, rain, and sunshine. Then they must settle in for a long nap—a 2-year-long one! Even after their long nap the anxious seed is disappointed to find they are still only saplings. It takes three more years before they grow into fruit-bearing trees. Throughout the book, Berger’s collage art harkens to the theater, illustrating footlights, stagehands, and props, even breaking the flow of the speech-bubble dialogue when a big costume change comes midway through a dispute between the two leads. The use of gendered portrayals of the seedlings raises the question of pollination in the creation of fruit without addressing the roles of botanical male and female contributions. Nevertheless, this cute and simple story brings readers back to the cycle of life as the female pear reveals that she harbors new seeds with which the play’s action may begin again. Backmatter offers further information on pear growth, a handful of pear trivia, and a bibliography.
These pears will be fun read-aloud companions for curious eaters and budding botanists . (Informational picture book. 5-8)Pub Date: Sept. 19, 2017
ISBN: 978-1-62672-351-1
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Facts about chlorophyll combine with a sense of wonder.
Art and text move through summer, fall, winter, and spring to explain the science behind the seasonal changes in deciduous trees.
“What kinds of leaves do you see in the summer?” The opening double-page spread has a stark white background. Seventeen different trees are represented by a scattered array of leaves—each carefully labeled—in many gradations of green. The enticing collage art uses negative space to show the veins. The page turn leads to additional glorious art, affirming the text’s use of such words as “emerald” and “jade.” Lush canopies of summer leaves part just enough to reveal, in the distance, people and a dog paddling a red canoe across a lake. Although all the illustrations concentrate on tree leaves, they occasionally include similar scenes of seasonal human activities—subtle reminders that humans are also affected by nature’s cycles. The text uses some anthropomorphism (trees and/or their leaves conceal “secrets,” “wait,” “make food,” and sleep) as it introduces young readers to chloroplasts, chlorophyll, plant cells, and the process of photosynthesis as well as the role of fallen leaves in an ecosystem. After the final double-page spread, which reveals a world returned to springtime, there are two pages written in a straightforward, scientific manner, supplementing the earlier text with further information about leaves—including differentiation between deciduous trees and evergreens and the names and characteristics of pigments hidden beneath a leaf’s chlorophyll.
Facts about chlorophyll combine with a sense of wonder. (glossary) (Informational picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-5415-2899-4
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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