``When the first people came from the underworld, it is said they came up through a reed in the ocean'' are the words of the strange and beautiful beginning of this strange and beautiful Navaho creation myth. The first people have no water; different animals volunteer to go back to the underworld and fetch some, but all of them fail and all are punished; only the snail succeeds in bringing back one drop of water. From this drop, First Man makes a river. This is truly a new world, and the gouache illustrations live up to all the expectations raised by Jackson (Brown Cow, Green Grass, Yellow Mellow Sun, 1995, etc.) in her fluid, haunting text (for which she provides sources in her author's note). The palette is dominated by the warm orange-yellows of the desert and the cool green-blues of the ocean; what is singular about Hubbard's style is the idiosyncratic shapes into which all the creatures are transformed- -oddly flat and amorphous and then shaded to give the effect of wafer-like thickness. These colorful, swirling compositions and the eloquent text will surely enrapture readers and listeners alike. (Picture book/folklore. 4-8)
Pub Date: April 1, 1996
ISBN: 0-689-80480-6
Page Count: 38
Publisher: Simon & Schuster
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 15, 1996
Categories: CHILDREN'S GENERAL CHILDREN'S
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With a little help from his audience, a young storyteller gets over a solid case of writer’s block in this engaging debut.
Despite the (sometimes creatively spelled) examples produced by all his classmates and the teacher’s assertion that “Stories are everywhere!” Ralph can’t get past putting his name at the top of his paper. One day, lying under the desk in despair, he remembers finding an inchworm in the park. That’s all he has, though, until his classmates’ questions—“Did it feel squishy?” “Did your mom let you keep it?” “Did you name it?”—open the floodgates for a rousing yarn featuring an interloping toddler, a broad comic turn and a dramatic rescue. Hanlon illustrates the episode with childlike scenes done in transparent colors, featuring friendly-looking children with big smiles and widely spaced button eyes. The narrative text is printed in standard type, but the children’s dialogue is rendered in hand-lettered printing within speech balloons. The episode is enhanced with a page of elementary writing tips and the tantalizing titles of his many subsequent stories (“When I Ate Too Much Spaghetti,” “The Scariest Hamster,” “When the Librarian Yelled Really Loud at Me,” etc.) on the back endpapers.
An engaging mix of gentle behavior modeling and inventive story ideas that may well provide just the push needed to get some budding young writers off and running. (Picture book. 6-8)Pub Date: Sept. 18, 2012
ISBN: 978-0761461807
Page Count: 32
Publisher: Amazon Children's Publishing
Review Posted Online: Aug. 22, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Categories: CHILDREN'S GENERAL CHILDREN'S
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The can’t-miss subject of this Step into Reading series entry—a unicorn with a magic horn who also longs for wings—trumps its text, which is dry even by easy-reader standards. A boy unicorn, whose horn has healing powers, reveals his wish to a butterfly in a castle garden, a bluebird in the forest and a snowy white swan in a pond. Falling asleep at the edge of the sea, the unicorn is visited by a winged white mare. He heals her broken wing and she flies away. After sadly invoking his wish once more, he sees his reflection: “He had big white wings!” He flies off after the mare, because he “wanted to say, ‘Thank you.’ ” Perfectly suiting this confection, Silin-Palmer’s pictures teem with the mass market–fueled iconography of what little girls are (ostensibly) made of: rainbows, flowers, twinkly stars and, of course, manes down to there. (Easy reader. 4-7)
Pub Date: Oct. 24, 2006
ISBN: 0-375-83117-7
Page Count: 32
Publisher: Random House
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Oct. 15, 2006
Categories: CHILDREN'S GENERAL CHILDREN'S
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