A delightful, educative journey through some prickly regions of English grammar.
A grammar expert takes on vexing questions and pet peeves.
Jovin, the author of several books on writing and grammar, describes her experiences traveling across the country answering the public’s questions about language use. In 49 lively chapters, she recounts her conversations on punctuation, conjugation, spelling, pronunciation, and contentious word choices while offering sage and sensible advice on common areas of confusion. She writes about passersby who air their grievances about the misuse of apostrophes, and she offers jaunty but exceptionally clear illustrations of their appropriate deployment. Individual chapters cover some familiar problem areas—affect and effect, lie and lay, whoever and whomever—along with broader reflections on the evolution of verbal conventions in the digital age and the significance of a respect for language itself. The conversations that unfold on her tour are, she rightly observes, “filled with humor and feeling for the complex linguistic glue that binds us together as human beings and distinguishes us from other living creatures.” Jovin’s charm as an explainer of sometimes-esoteric rules and as a defender of common sense and clarity in communication is a major strength of this book. Another is her lighthearted but incisive commentary on people’s emotional investments in grammar. A large part of the book’s comedy comes from her descriptions of how disagreements about proper expression can pit people against one another, poisoning otherwise successful relationships. Many of the chapters describe people venting about others’ grammatical lapses, and Jovin positions herself, convincingly, as not just a linguistic, but an emotional counselor, fostering healthy communication rather than judgement. The invitation she poses in her introduction—“Now, please lie down on a nice couch with this book and let’s have some grammar therapy”—is well worth accepting.
A delightful, educative journey through some prickly regions of English grammar.Pub Date: July 19, 2022
ISBN: 978-0-358-27815-3
Page Count: 400
Publisher: Mariner Books
Review Posted Online: May 16, 2022
Kirkus Reviews Issue: June 15, 2022
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.
Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.
In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.
A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.Pub Date: May 31, 2022
ISBN: 978-0-316-39245-7
Page Count: 272
Publisher: Little, Brown
Review Posted Online: March 10, 2022
Kirkus Reviews Issue: April 1, 2022
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