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...IF YOUR NAME WAS CHANGED AT ELLIS ISLAND

Arranged in Q&A style, this survey of earlier immigrations asks: ``Did all immigrants come through Ellis Island?'' (no); ``Did you have to have a job waiting for you?'' (again, no; in fact, it was not allowed). It's evident that America has always been a polyglot magnet—even in 1643, 18 languages were spoken in one colonial area. It's also evident that there's been long-standing prejudice against certain immigrants (ability to read was required for entrance, and first and second class arrivals didn't have to sweat it out at Ellis Island). Perhaps most interesting here are the individual stories: the name change in the author's own family; the child who had never seen a banana and ate it whole; the ``six- second'' medical exam. Levine (If You Traveled West in a Covered Wagon, 1986) gives multiculturalism an extra boost by ending with a sampling of words and other contributions from many heritages. Nostalgically warm impressionistic paintings, suffused with sepia, simultaneously signal suffering and hope. (Nonfiction. 7-10)

Pub Date: April 1, 1993

ISBN: 0-590-46134-6

Page Count: 80

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

Categories:
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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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THE STORY OF SALT

The author of Cod’s Tale (2001) again demonstrates a dab hand at recasting his adult work for a younger audience. Here the topic is salt, “the only rock eaten by human beings,” and, as he engrossingly demonstrates, “the object of wars and revolutions” throughout recorded history and before. Between his opening disquisition on its chemical composition and a closing timeline, he explores salt’s sources and methods of extraction, its worldwide economic influences from prehistoric domestication of animals to Gandhi’s Salt March, its many uses as a preservative and industrial product, its culinary and even, as the source for words like “salary” and “salad,” its linguistic history. Along with lucid maps and diagrams, Schindler supplies detailed, sometimes fanciful scenes to go along, finishing with a view of young folk chowing down on orders of French fries as ghostly figures from history look on. Some of Kurlansky’s claims are exaggerated (the Erie and other canals were built to transport more than just salt, for instance), and there are no leads to further resources, but this salutary (in more ways than one) micro-history will have young readers lifting their shakers in tribute. (Picture book/nonfiction. 8-10)

Pub Date: Sept. 1, 2006

ISBN: 0-399-23998-7

Page Count: 48

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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