by Ellen Levine & illustrated by Jon Van Zyle ‧ RELEASE DATE: March 13, 2012
This gentle and moving portrait of animal rehabilitation stands out for its unusual, animal-centric point of view.
A baby sea otter tells the story of his rehabilitation after a storm separates him from his mother.
Lifted and examined in a place of strange smells, the little otter gradually relaxes into the care of humans. After he being fed from a bottle, he is placed in a gently moving pool that rocks him to sleep. Within several days, he meets his new mother. This adoptive mom teaches the baby the skills he will need in order to feed himself. Ending with his ocean release, readers leave him tethered in seaweed and fast asleep among a group of other otters. Backmatter includes a list of Web and print resources, as well as a final note that serves to fill in the human side of the baby otter’s rescue. This fascinating note describes the Monteray Bay Aquarium’s stranded–sea otter program and how it has changed and improved based on the research scientists have done on the animals already released. As does the text, Van Zyle’s acrylics keep the point of view with the baby otter. He is large and central to the illustrations, while the humans are reduced to either onlookers or purple latex gloves. It's a shame the science described in the author's note was not more incorporated into the text, but that is a small quibble.
This gentle and moving portrait of animal rehabilitation stands out for its unusual, animal-centric point of view. (Picture book. 4-8)Pub Date: March 13, 2012
ISBN: 978-0-8027-9808-4
Page Count: 32
Publisher: Walker
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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