A perceptive, three-season–ish celebration of snow perfect for a snuggly read.
Snow. Can’t wait for it to appear. Can’t wait for it to disappear.
From the first hopeful glimpse of what might be the First Snow to an impatient farewell to lingering Spring Snow, Yeomans captures the ever changing nuances of the frozen precipitation and how children interact with it. A simple, repetitive rhyme scheme (all but the fourth line of each verse ends with “snow,” and fourth-line pairs rhyme) is soothing and rhythmic, but precise verbs and adjectives make the story shine. “Arms fly up and down snow. / Legs sweep along the ground snow. / Move and flop again snow, / a flock of angels sings.” Joyful neighborhood children of diverse races and their equally exuberant pet dogs build snow forts and stage snowball battles, create snow tunnels and slides after shoveling out, and even enjoy “the best snow is Snow Day Snow. / Can’t go out in that snow. / Too much coming down snow, / a world of swirling white.” (Look for the snoozing Snow Day dogs.) Realistic illustrations are done in pen, ink, and watercolor with digital touches and are a bit reminiscent of Trina Schart Hyman’s work. Scenes morph from fall through winter to spring and incorporate snow from soft flurries to blinding blizzards.
A perceptive, three-season–ish celebration of snow perfect for a snuggly read. (Picture book. 3-6)Pub Date: Nov. 5, 2019
ISBN: 978-0-399-54754-6
Page Count: 32
Publisher: Putnam
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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