Next book

SHADOWS AMONG US

From the Doctors of Darkness series , Vol. 4

An absorbing tale and an adept examination of grief.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A mother hunts for her daughter’s killer in Kane’s latest psychological thriller in a series.

Dr. Mollie Roar was once a successful psychologist working at Napa State Hospital in California. However, the kidnapping and murder of her 15-year-old daughter, Dakota, two years ago led to the dissolution of Mollie’s marriage to Dakota’s father, Cole, and now Mollie spends much of her time drinking or going to a support group for grieving parents. There, she finds solace in her friend and occasional lover, Grant Sawyer. Dakota’s murder is still unsolved, but rumor has it that the perpetrator is the Shadow Man, a prolific serial killer who’s local to Napa. When terminally ill Vietnam veteran Wendall Grady begins seeing Mollie as a therapy client to confess his past sins, he reveals information that fuels her desire to further investigate her daughter’s murder. A parallel plotline set before the teen’s death shows Dakota’s increasing interest in serial killers—the Shadow Man, in particular—and her involvement in an online sleuthing forum. Mollie, in the present, learns more about her child and tries to piece the truth together while coming to terms with her own guilt about her flawed parenting. Kane’s stellar fourth book in her Doctors of Darkness series stays true to the conventions of the thriller genre, building anticipation and exploring untrustworthy characters, without ever feeling formulaic. Mollie’s chapters, in particular, are filled with anguish: “The drawer stays shut, but I know the past is alive inside it. It’s unburied now. And it may as well be a hand clawing up from its shallow grave to seize me by the throat.” The juxtaposition of Dakota’s investigations into the Shadow Man works very well and effectively develops a sense of intrigue. The teenager isn’t merely a murder victim, but a well-developed character; she reluctantly learns that her parents are imperfect, deals with boys who want too much too soon, and has disagreements with her best friend. Mollie is also a fully realized figure who’s both unlikable and sympathetic, by turns.

An absorbing tale and an adept examination of grief.

Pub Date: Aug. 23, 2019

ISBN: 978-1-73-367015-9

Page Count: 440

Publisher: Self

Review Posted Online: June 8, 2021

Kirkus Reviews Issue: July 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 332


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

NEVER FLINCH

Even when King is not at his best, he’s still good.

Awards & Accolades

Likes

  • Readers Vote
  • 332


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 68


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 68


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview