An absorbing tale and an adept examination of grief.
A mother hunts for her daughter’s killer in Kane’s latest psychological thriller in a series.
Dr. Mollie Roar was once a successful psychologist working at Napa State Hospital in California. However, the kidnapping and murder of her 15-year-old daughter, Dakota, two years ago led to the dissolution of Mollie’s marriage to Dakota’s father, Cole, and now Mollie spends much of her time drinking or going to a support group for grieving parents. There, she finds solace in her friend and occasional lover, Grant Sawyer. Dakota’s murder is still unsolved, but rumor has it that the perpetrator is the Shadow Man, a prolific serial killer who’s local to Napa. When terminally ill Vietnam veteran Wendall Grady begins seeing Mollie as a therapy client to confess his past sins, he reveals information that fuels her desire to further investigate her daughter’s murder. A parallel plotline set before the teen’s death shows Dakota’s increasing interest in serial killers—the Shadow Man, in particular—and her involvement in an online sleuthing forum. Mollie, in the present, learns more about her child and tries to piece the truth together while coming to terms with her own guilt about her flawed parenting. Kane’s stellar fourth book in her Doctors of Darkness series stays true to the conventions of the thriller genre, building anticipation and exploring untrustworthy characters, without ever feeling formulaic. Mollie’s chapters, in particular, are filled with anguish: “The drawer stays shut, but I know the past is alive inside it. It’s unburied now. And it may as well be a hand clawing up from its shallow grave to seize me by the throat.” The juxtaposition of Dakota’s investigations into the Shadow Man works very well and effectively develops a sense of intrigue. The teenager isn’t merely a murder victim, but a well-developed character; she reluctantly learns that her parents are imperfect, deals with boys who want too much too soon, and has disagreements with her best friend. Mollie is also a fully realized figure who’s both unlikable and sympathetic, by turns.
An absorbing tale and an adept examination of grief.Pub Date: Aug. 23, 2019
ISBN: 978-1-73-367015-9
Page Count: 440
Publisher: Self
Review Posted Online: June 8, 2021
Kirkus Reviews Issue: July 15, 2021
Review Program: Kirkus Indie
Filled with action, violence, and more twists than a bag of pretzels.
Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.
Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.
Filled with action, violence, and more twists than a bag of pretzels.Pub Date: April 14, 2026
ISBN: 9781538758021
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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