An absorbing tale and an adept examination of grief.
A mother hunts for her daughter’s killer in Kane’s latest psychological thriller in a series.
Dr. Mollie Roar was once a successful psychologist working at Napa State Hospital in California. However, the kidnapping and murder of her 15-year-old daughter, Dakota, two years ago led to the dissolution of Mollie’s marriage to Dakota’s father, Cole, and now Mollie spends much of her time drinking or going to a support group for grieving parents. There, she finds solace in her friend and occasional lover, Grant Sawyer. Dakota’s murder is still unsolved, but rumor has it that the perpetrator is the Shadow Man, a prolific serial killer who’s local to Napa. When terminally ill Vietnam veteran Wendall Grady begins seeing Mollie as a therapy client to confess his past sins, he reveals information that fuels her desire to further investigate her daughter’s murder. A parallel plotline set before the teen’s death shows Dakota’s increasing interest in serial killers—the Shadow Man, in particular—and her involvement in an online sleuthing forum. Mollie, in the present, learns more about her child and tries to piece the truth together while coming to terms with her own guilt about her flawed parenting. Kane’s stellar fourth book in her Doctors of Darkness series stays true to the conventions of the thriller genre, building anticipation and exploring untrustworthy characters, without ever feeling formulaic. Mollie’s chapters, in particular, are filled with anguish: “The drawer stays shut, but I know the past is alive inside it. It’s unburied now. And it may as well be a hand clawing up from its shallow grave to seize me by the throat.” The juxtaposition of Dakota’s investigations into the Shadow Man works very well and effectively develops a sense of intrigue. The teenager isn’t merely a murder victim, but a well-developed character; she reluctantly learns that her parents are imperfect, deals with boys who want too much too soon, and has disagreements with her best friend. Mollie is also a fully realized figure who’s both unlikable and sympathetic, by turns.
An absorbing tale and an adept examination of grief.Pub Date: Aug. 23, 2019
ISBN: 978-1-73-367015-9
Page Count: 440
Publisher: Self
Review Posted Online: June 8, 2021
Kirkus Reviews Issue: July 15, 2021
Review Program: Kirkus Indie
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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