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BILLY BEG AND HIS BULL

AN IRISH TALE

A pleasantly lilting, somewhat simplified rendition of an Irish tale about a boy and his magical companion: a bull that, dying in battle, leaves the lad a sword and a tablecloth, both with unusual qualities. Before he meets the inevitable princess Billy escapes an evil stepmother, kills three giants, and—``after a terrible fight entirely''—slays a dragon, losing a shoe as he leaves the field. The princess finds it, and...well, that part of the story's familiar too. Root's illustrations twine vigorously around blocks of text, opening to full-page scenes and spreads to capture climactic moments: the bull's death (which has the swirling intensity of a painting by William Blake); Billy's hair standing comically on end when he hears the first giant's roar; the happy couple sharing a goblet at their wedding feast as king and queen drowse contentedly on either side. Greene pays fine tribute to her source, shanachie Seumas MacManus, in a prefatory note. (Folklore/Picture book. 6-8)

Pub Date: March 15, 1994

ISBN: 0-8234-1100-1

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1994

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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