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PLACES AND NAMES

ON WAR, REVOLUTION, AND RETURNING

A profoundly human narrative that transcends nationality and ideology.

A memoir of the war you can’t leave behind.

For Ackerman (Waiting for Eden, 2018, etc.), a former Marine who earned the Silver Star, the Bronze Star, and the Purple Heart, and so many of the others he met during his return to the battlefronts of the Middle East, there was no good reason for them to be drawn back there other than the feeling that war had given their lives purpose and that civilian life offered no fulfilling substitute. “If purpose is the drug that induces happiness,” he writes, “there are few stronger doses than the wartime experience.” The equation of war with happiness may jolt readers who haven’t seen combat, but the power of this memoir comes from the author’s illumination of paradoxes and contradictions that provide a common emotional denominator for soldiers who previously found themselves in wars where they discovered more than two sides. “For a moment we sit, three veterans from three different sides of a war that has no end in sight,” writes Ackerman of his bonding with two friends who might have been categorized as Muslim terrorists, one of whom would later ask him to be best man at his wedding. “Not the Syrian Civil War, or the Iraq War, but a larger regional conflict,” one in which they discovered “a unifying thread between us: friendships born out of conflict, the strongest we’ve ever known.” Throughout the poignant narrative there is a sense that the Americans for whom the author has fought have misunderstood the Muslims that he has fought against and that the boundaries dating back to the colonial era have never reflected the ethnic geography of those who inhabit the region. A story in which Ackerman made new friends and confronted old ghosts culminates in a flashback to the Battle of Fallujah and his memories of what took place.

A profoundly human narrative that transcends nationality and ideology.

Pub Date: June 11, 2019

ISBN: 978-0-525-55996-2

Page Count: 256

Publisher: Penguin Press

Review Posted Online: April 7, 2019

Kirkus Reviews Issue: May 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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