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AFTER WOODSTOCK

THE TRUE STORY OF A BELGIAN MOVIE, AN ISRAELI WEDDING, AND A MANHATTAN BREAKDOWN

Tiber squeezes life for all it is worth, ringing out the last quarter of the 20th century with the offbeat, at-times twisted...

Tiber picks up where he left off in Taking Woodstock (2007) with this memoir of the years thereafter, pivotal ones both for him and the gay community.

At the age of 34, the author was helping his parents run the bedraggled, customer-free El Monaco motel in upstate New York. A “secretly gay Brooklyn-bred yeshiva boy,” Tiber actually had a life before El Monaco—he was a successful interior designer in Manhattan—but he was a dutiful son, even if his mother was a “smug and kosher bird of prey.” Woodstock, which he helped arrange by getting his neighbor Max Yasgur, “our milkman,” to rent his field for the concert, was his salvation, giving him faith in humanity just when he needed it. This memoir scans Tiber’s life progress since that August weekend in 1969 with a fair degree of adrenaline (“I barreled through the Midwest like a man with his pubic hair on fire”), cogency (despite the wild chronicles of all the recreational intoxicants and late-night, leather-bar sex) and straining-at-the-leash humor. There was a promising, then fizzling, stint in Hollywood, followed by a return to El Monaco, where Tiber managed to sell the place“Is this guy actually about to make me an offer for this shithole?” Then there was Andre, who would become the love of the author’s life and with whom he would launch numerous artistic endeavors. Tiber writes about their life with unvarnished intimacy. Fortunately, Andre brought with him a measure of class to rein in the absurdist, wear-it-on-your-sleeve Tiber, though it has not diminished his zest. His political and literary high points are balanced by the low points of breakups and the AIDS epidemic, captured with dazed immediacy.

Tiber squeezes life for all it is worth, ringing out the last quarter of the 20th century with the offbeat, at-times twisted humor of a survivor.

Pub Date: April 1, 2015

ISBN: 978-0-7570-0392-9

Page Count: 480

Publisher: Square One Publishers

Review Posted Online: Jan. 20, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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