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TAKING WOODSTOCK

A TRUE STORY OF A RIOT, A CONCERT, AND A LIFE

Indifferently written, but a tale worth hearing.

Think Woodstock was all peace and love? Sure, but it also involved lawyers, mobsters and a few assorted pieces of B&D gear.

Tiber, né Eliyahu Teichberg, lived two lives in the ’60s: Although he was a well-regarded mural artist whose “paintings were also displayed in galleries and sold,” by day, he helped his parents run a fleabag motel in the Catskills, and by night he haunted the gay bars of Greenwich Village, falling into the arms of the likes of Robert Mapplethorpe and other rough men. “People with whom I had sex always pretended that they didn’t know me when they saw me in the light of day,” Tiber sighs in a characteristically self-doubtful moment. To trust his account, he was on the scene when, faced with yet another police raid, a barroom full of gay men and women decided to fight back. Regrettably, Tiber’s account of the famed Stonewall Riot is less than glancing. Just so, his reminiscences concerning the detour the Woodstock Festival of 1969 made from Woodstock proper to Max Yasgur’s farm outside Bethel—the site of that fleabag hotel, coincidentally—are disjointed and sometimes incoherent. The storyline, though, is of great interest to collectors of rock trivia and history, and it speaks less to the power of flowers than to that of greenbacks: Yasgur’s escalating demands for cash; festival organizer Mike Lang’s beatific grooviness amid trips to the bank with satchels full of cash; and the arrival on the scene of shady characters with drugs to sell, among other parasites. Clearly, though, Tiber had a good time amid the logistical headaches of hosting a million-plus visitors, even if his momma caught him kissing boys (“I am ashamed of you and Woodstock,” she says toward the end of her life, to which he rejoins, “Some things never change.”) and his neighbors threatened to kill him for ruining their bucolic and apparently inbred retreat.

Indifferently written, but a tale worth hearing.

Pub Date: Aug. 1, 2007

ISBN: 978-0-7570-0293-9

Page Count: 240

Publisher: Square One Publishers

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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