Amid the laughter and ridiculousness, readers will be able to muse over Hippo’s altruistic wisdom.
A shark’s plan to go fishing unravels when his friend simply provides the wrong equipment.
Introducing the pair as “bestest friends,” Sharko explains, “I do the talking, and Hippo does the carrying.” At the pier, Hippo wears a green jacket with a plethora of pockets that apparently contain everything they will need. “Hippo, launch the boat!” The absurdity begins. Hippo silently produces a goat and then a bag of oats, making quite the splash while astonishing Sharko. Recovering quickly, Sharko demands a pole, but Hippo takes out a banana peel, pail, plow, and pillow, all to Sharko’s increasing frustration. Instead of bait, out comes the boat, now uselessly bobbing in the water. The exasperated Sharko begins to question Hippo about the endlessly inappropriate substitutions and angrily declares, “What kind of friend are you? You never give me the thing I need!” A warm hug from Hippo soothes Sharko’s feelings as they leave the pier. Kalan’s comedic duo brings to mind the iconic team of Chico and Harpo Marx. Dialogue in speech bubbles drives the narrative seamlessly, coupled with Tsurumi’s genial cartoon art, which downplays Sharko’s teeth in favor of impressively emphatic eyebrows. Kids will laugh along with each picture cue as the silliness endures down to the last reveal, which discloses Hippo’s secret motive behind the foolishness.
Amid the laughter and ridiculousness, readers will be able to muse over Hippo’s altruistic wisdom. (Picture book. 3-6)Pub Date: Sept. 29, 2020
ISBN: 978-0-06-279109-2
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
Like its subject: full of bustling life yet peaceful.
Life buzzes in a community garden.
Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.
Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)Pub Date: Feb. 18, 2020
ISBN: 978-1-5344-1797-7
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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