An often affecting, if sometimes needlessly fractured, tale of maturation.
An undocumented Mexican in the United States aspires to become a professional soccer player and, along the way, discovers who he is.
Manny was born in Chiapas, Mexico, but he and his parents crossed the border into Texas without visas when he was young, and he largely grew up in the Lone Star State, which he considers his true home. Despite his intellect and literary inclinations, he eventually became exasperated with school, leaving home at 18 to pursue a soccer career. He landed in a low-division team in San Antonio, mistakenly assuming that his position came with compensation. He found work at a local Wal-Mart and later played on two other teams in San Francisco and Mexico, after he became documented and could safely cross the border. He encounters considerable trials—a debilitating injury, a difficult marriage, and his mother’s death. But he presses on, goes back to school, and becomes a nurse’s assistant, and after his soccer career ends, he becomes a high school teacher. When his father dies, he finds out what compelled his family to move to the United States. The meat of the story, though, is Manny’s struggle with an unsettled identity—he never feels fully American or Mexican, which is only further muddled as he raises his American son. Turner (Real Madrid & Barcelona, 2013, etc.) has previously written about soccer for the Guardian and other publications; his expert knowledge of the sport is evident throughout, and it gives the story a near-journalistic authenticity. Sometimes the prose is strikingly evocative: “His shin snapped like a twig over the defender’s knee. The sound of the breaking of bone echoed like a gunshot.” However, the plot vaults backward and forward in time so hastily that it sometimes causes confusion, and toward the end of the book, the narrative is replaced by a series of apparent journal entries by Manny that are more disjunctive than illustrative. The novel as a whole, though, is richly drawn—a moving bildungsroman and a thoughtful reflection on what it means to lack a settled sense of self.
An often affecting, if sometimes needlessly fractured, tale of maturation.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Round Ball Media
Review Posted Online: March 15, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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