Fans of wordplay will find much more to enjoy, especially with the return of the word-puzzle cryptics. (Fiction. 9-13)
In this sequel to The Templeton Twins Have an Idea (2012), ingenious Abigail and John (though don’t let the over-the-top narrator hear you use that descriptor unless you are referring to him) return for more hijinks and humor.
The novel can be read as a stand-alone story, but readers must be prepared to write the narrator an apology letter for not reading the first Templeton Twins (the text of which he graciously supplies before performing his narrator duties). The twins, now 13, have recently relocated with their inventor father, who has accepted a position at the Thespian Academy of the Performing Arts and Sciences. Their father’s charge: Create a device that will allow audience members to see close-ups on stage. It’s not long, however, before the unscrupulous Dean brothers (and identical twins) from the first book make an appearance, and professor Templeton’s invention becomes the target of sabotage. The mystery is easy to solve as Abigail and John try to thwart the Dean brothers’ impractical schemes, but that’s not the point of the story. Once again, the narrator hogs the show with his supercilious storytelling, which becomes super silly with footnotes, definitions, acronyms, end-of-chapter quizzes and, of course, direct references to his superiority.
Fans of wordplay will find much more to enjoy, especially with the return of the word-puzzle cryptics. (Fiction. 9-13)Pub Date: Oct. 8, 2013
ISBN: 978-1-4521-1184-1
Page Count: 272
Publisher: Chronicle Books
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls.
Three young ghost trappers take on deadly wraiths and solve an old murder case in the bargain to kick off Stroud’s new post-Bartimaeus series.
Narrator Lucy Carlyle hopes to put her unusual sensitivity to supernatural sounds to good use by joining Lockwood & Co.—one of several firms that have risen to cope with the serious ghost Problem that has afflicted England in recent years. As its third member, she teams with glib, ambitious Anthony Lockwood and slovenly-but-capable scholar George Cubbins to entrap malign spirits for hire. The work is fraught with peril, not only because a ghost’s merest touch is generally fatal, but also, as it turns out, as none of the three is particularly good at careful planning and preparation. All are, however, resourceful and quick on their feet, which stands them in good stead when they inadvertently set fire to a house while discovering a murder victim’s desiccated corpse. It comes in handy again when they later rashly agree to clear Combe Carey Hall, renowned for centuries of sudden deaths and regarded as one of England’s most haunted manors. Despite being well-stocked with scream-worthy ghastlies, this lively opener makes a light alternative for readers who find the likes of Joseph Delaney’s Last Apprentice series too grim and creepy for comfort.
A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls. (Ghost adventure. 11-13)Pub Date: Sept. 17, 2013
ISBN: 978-1-4231-6491-3
Page Count: 384
Publisher: Disney-Hyperion
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
More escapades are promised in this improbable but satisfying series starter
A smart kid foils big-time thieves in the nation’s capital—and joins the FBI.
Using a method he invented called the Theory of All Small Things, white seventh-grader Florian Bates solves mysteries by piecing together seemingly trivial clues in this engaging, humorous, but not always logical caper. When Florian easily helps the FBI recover three masterpieces stolen from the National Gallery of Art, the dazzled feds supply him with an alias and train him at Quantico. Collaborating with his African-American best friend, superbright, athletic Margaret, Florian finds that even with TOAST, sleuthing gets dangerous when the pair, working undercover, come up against a European crime syndicate—and another spectacular art heist in the form of a forgery substituted for an iconic Monet. Exciting adventures ensue, and clues accumulate until the culprit is revealed and the genuine painting located. Missteps intrude, though: a few lapses in logic may leave readers puzzled; some clues seem contrived; and a subplot involving Florian’s discovery of the startling identity of adopted Margaret’s biological father falls flat. The solution is also a letdown: the thief is a minor figure, and the means by which the painting was stolen and the forgery set in its place aren’t explained. The real draws here are the two resourceful leads’ solid, realistic friendship, bolstered by snappy dialogue, brisk pacing, and well-crafted ancillary characters—not to mention behind-the-scenes glimpses of the FBI.
More escapades are promised in this improbable but satisfying series starter . (Mystery. 9-12)Pub Date: Aug. 23, 2016
ISBN: 978-1-4814-3630-4
Page Count: 304
Publisher: Aladdin
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
