Laid-back lowlifes struggle for power, survival, and their 15 minutes of fame in a plot as busy and chaotic as the original...
Leonard’s 37th backs smooth and easy into Tunica, Mississippi, site of the shaggiest crime tale he’s spun since Maximum Bob (1991).
Normally, the critical moment in Dennis Lenahan’s high dives is the instant his body hits the water. But the final day he’s been setting up his rig at Billy Darwin’s Tishomingo Lodge & Casino, that moment comes as he hears the two guys he’s been watching below execute Floyd Showers, the ex-con who’d been helping him rig the ladders and the perch above. The killers—extortionist Arlen Novis and Junior Owens, who runs Arlen’s honky-tonk—look up 80 feet and see him as clearly as he sees them, and although Charlie Hoke, the alleged half-Chickasaw ex-ballplayer who serves as the casino’s celebrity host, assures them of Dennis’s discretion, there’s no doubt that his position in Tunica has been compromised before he’s even made his first dive. Dennis needs a friend—somebody like Robert Taylor, the soft-spoken black man whose illustrated patter about how his grandfather was lynched by the great-grandfather of moneyed mobile home salesman Walter Kirkbride is so well-oiled that it’s obviously a front for some con Dennis can’t identify. What he doesn’t need is the attention he catches from dangerous women like newscaster Diane Corrigan-Cochrane, who asks him if it’s true that he witnessed Floyd’s murder, and Loretta Novis, Arlen’s willing wife. And he certainly doesn’t need any part of the Civil War reenactment of the battle of Brice’s Cross Roads that will sweep him up together with state investigator John Rau and the Dixie Mafiosi he’s trying to put away, as Leonard (Pagan Babies, 2000, etc.) revels in layers upon layers of playacting and posturing.
Laid-back lowlifes struggle for power, survival, and their 15 minutes of fame in a plot as busy and chaotic as the original battle of Brice’s Cross Roads.Pub Date: Feb. 1, 2002
ISBN: 0-06-000872-5
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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