by Elmore Leonard ‧ RELEASE DATE: Sept. 28, 1987
Rejected by more than a dozen publishers in 1977, this non-suspense novel by thriller-man Leonard now—thanks to his current hot-property status—makes its way into print. And, though delivered with leanly ironic narration and zip-lock dialogue, it's weak stuff indeed: a thin, unfocused replay of the familiar scenario (cf. Morris West, Irving Wallace, et al.) involving a contemporary religious miracle and its subsequent exploitation. Charlie Lawson—a.k.a. Brother Juvenal, a former Franciscan monk, age 33 (of course), now working for the Church's alcoholism rehab center in Detroit—has miraculous healing powers: when he touches the ill, he cures them—while blood spouts from his body at the five stigmata spots of Christ's wounds. Juvenal, a total innocent, is reticent (if unfazed and accepting) about all this. But a Catholic traditionalist movement (led by a racist, sexually repressed psycho-fanatic) tries to use Juvenal as a PR-weapon in the battle against Vatican-II reforms. Meanwhile, too, religion huckster Bill Hill plots to make big bucks off Juvenal, booking him (for $1 million) onto a Tom Snyder-ish TV talk-show. And Hill's reluctant sidekick, cynical PR-woman Lynn Faulkner, is transformed as she falls utterly in love with virginal Juvenal—who joyfully reciprocates, discoverings the joys of true romance and tender sex. ("I bleed from five wounds and heal people, but I've never been in love. Isn't that something?") Leonard's lively, gritty talent—individual scenes flare with lowdown atmosphere—can't disguise the overall sketchiness here: undeveloped drama, unconvincing characters. The tone wanders fuzzily from theological soap opera to black comedy to sitcom farce—especially in the limp finale: Juvenal's TV appearance, during which he heals the right-wing Catholic fanatic (injured while trying to murder Lynn). And the result is sporadically diverting but unsatisfying all around—too offhand (or simple-minded) for the religious-fiction audience, too feebly fanciful for Leonard's usual readership.
Pub Date: Sept. 28, 1987
ISBN: 0060089598
Page Count: 340
Publisher: Arbor House
Review Posted Online: April 4, 2012
Kirkus Reviews Issue: Aug. 15, 1987
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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