A delightfully illustrated, one-of-a-kind Greenfield creation that will have readers wishing for another.
A day in the life of an aspiring young thespian.
Alaina, a little Black girl with long locs and a missing front tooth, awakens to her mother’s original Alaina-wake-up song. Immediately excited, she can’t wait for the second grade school play, which prompts her to jump up and down on her bed—until a look from Mom says, “stop that right now.” Alaina hurriedly prepares for her day. Though only a kindergartner, Alaina will say the last five words of the play, which she practices as her mom walks her to school through their urban neighborhood. After lunch, Miss Wheeler gathers everyone for the performance, and Alaina recites her lines again for the teacher. During the production, Alaina marvels at how realistically the second graders act out the emotions of their college-age characters. When the play ends, Alaina’s drab lines seem dull in comparison to the fabulous acting…so she improvises. Greenfield portrays a close and loving relationship between this Black mother and daughter—but one in which Alaina understands her boundaries and tests them but ultimately honors them. Bootman’s full-color, double-page illustrations, a bit hazily dreamlike and done with broad swaths of bold, bright colors, immerse readers in this child’s home and school life while highlighting Alaina’s excited face, mischief, and all-in personality.
A delightfully illustrated, one-of-a-kind Greenfield creation that will have readers wishing for another. (Picture book. 4-7)Pub Date: May 10, 2021
ISBN: 978-1-7336865-2-5
Page Count: 32
Publisher: Alazar Press
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Pitch-perfect tension and delightful silliness.
The legend of a giant, dangerous duck at Cucumonga Campground looms large.
Young Hector and his family are on vacation. Everything seems pleasant except for the many objects that have gone missing and the warnings Hector keeps receiving. Everyone tells him not to interact with the ducks. Don’t go near them, don’t look at them, and absolutely, positively, do not feed them. To further emphasize the point, “DO NOT FEED THE DUCKS” signs pop up every few feet at the campground. So what does Hector do? He feeds the ducks. They just look so cute and hungry. Amid the many feathers flapping, a large, foreboding shadow suddenly crosses the lake. Colón builds suspense through short, clipped narration. The weather turns ominous, and people flee in terror—it’s…THE QUACKEN! The fearsome, colossal wildfowl has appeared! It’s always one step ahead of Hector until there is no escape. Hector is popped into the duck’s bill like a delicious morsel. But, luckily for Hector, “children taste terrible.” Reminiscent of old, cheesy horror films, this tale will make a hilariously over-the-top read-aloud. Pino ramps up the drama in his illustrations, alternating full-page spreads with graphic novel–like panels and vignettes. Hector and his family are brown-skinned, while other campers are racially diverse.
Pitch-perfect tension and delightful silliness. (Picture book. 4-7)Pub Date: July 16, 2024
ISBN: 9781665922487
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
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