But, still, this is an interesting debut, with some beautifully lyrical evocations of place and emotion.
A first novel of Brontëan intensity and Gothic nastiness from British writer Barker, who, in telling the story of an irrevocably doomed young woman, indicts Scottish life as well.
Janet, the eldest of five—born in her grandparents' comfortable manse near Edinburgh while father Hector is away at war—soon begins the cycle of hurts that will culminate in her murder at 16. After her beloved grandmother dies, Janet is soon and permanently supplanted in her mother's affections by a quick succession of more babies. Vera, the mother, "only really liked babies and found children annoying. In fact, she said it was possible for a mother to dislike her own child"—a fact that doesn't cheer Janet but does reconcile her somewhat to her mother's coldness. But a move to a remote ancestral castle, an austerely beautiful place where winter is five months long, merely isolates Janet further. Her only consolations are reading, learning Latin and Greek, nature, and the friendship of an aging and alcoholic cousin whom her mother detests and soon sends away. Residing in Caledonia, whose Calvinist nature is "pitiless," Janet, exquisitely sensitive to pain and suffering, is predestined to be unhappy. At home, she is ignored by her family; away at boarding school, a bleak and relentlessly anti-intellectual place, she survives by helping with homework and telling stories against herself; and a venture into local society is a disaster. School over, Janet returns home, where her family and their servants treat her with even greater insensitivity. Someone like poor Janet- -isolated, her only companion a bird she's rescued, and increasingly emotionally distraught—can have no happy ending: her rather abrupt murder is a welcome end to a life of unmitigated misery. The unceasing victimization of Janet can seem just too much, as the point is soon taken about narrow and pitiless Caledonia.
But, still, this is an interesting debut, with some beautifully lyrical evocations of place and emotion.Pub Date: Sept. 1, 1992
ISBN: 0-15-167774-3
Page Count: 152
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
