Overlong but still packed with great lines, vivid anecdotes, and plenty of photos. Certainly a treat for his many fans.
Everything you ever wanted to know—and more—about hyperliterate songwriter and performer Costello.
It becomes immediately clear in this voluminous debut memoir that Costello’s prose cuts with the same spiky wit and observational power as his well-known lyrics—e.g., upon meeting Bruce Springsteen: “he laughed like steam escaping from a radiator.” What this memoir could’ve used was a more proactive editor to rein in its disjointed structure and rambling eccentricities. In one chapter, we learn about Costello’s 20-something rise to stardom in 1977; the next chapter covers his birth. Readers will need to forget trying to follow this memoir in a chronological way, which may be appropriate when considering his unconventional songwriting. Whatever the Byzantine structure, certainly there’s no part of his life left untouched—from his childhood growing up in Liverpool and London watching his father perform as a singer with the Joe Loss Orchestra to getting his first band together and on to becoming the jittery 1970s New Wave answer to Bob Dylan. Although Costello (born Declan MacManus) led a routine, working-class existence in his teens and early 20s, not surprisingly, the most scintillating time in his life to read about is his unlikely rise to fame in the ’70s with his band the Attractions and Stiff Records. Costello isn't coy when discussing the origins of his songs and detailing the often surprising musical influences behind them. His writing on his later elder statesman years—including his marriage to Diana Krall and his dabbling with string quartets and orchestras—is pleasantly informative, but his discussions of his middle ages are mostly akin to reading someone’s CV. They lack the same thrill of youth that drives the recollection of his hand-to-mouth days as a struggling punk.
Overlong but still packed with great lines, vivid anecdotes, and plenty of photos. Certainly a treat for his many fans.Pub Date: Oct. 13, 2015
ISBN: 978-0-399-16725-6
Page Count: 688
Publisher: Blue Rider Press
Review Posted Online: Sept. 14, 2015
Kirkus Reviews Issue: Oct. 1, 2015
PROFILES
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
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