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UNFAITHFUL MUSIC & DISAPPEARING INK

Overlong but still packed with great lines, vivid anecdotes, and plenty of photos. Certainly a treat for his many fans.

Everything you ever wanted to know—and more—about hyperliterate songwriter and performer Costello.

It becomes immediately clear in this voluminous debut memoir that Costello’s prose cuts with the same spiky wit and observational power as his well-known lyrics—e.g., upon meeting Bruce Springsteen: “he laughed like steam escaping from a radiator.” What this memoir could’ve used was a more proactive editor to rein in its disjointed structure and rambling eccentricities. In one chapter, we learn about Costello’s 20-something rise to stardom in 1977; the next chapter covers his birth. Readers will need to forget trying to follow this memoir in a chronological way, which may be appropriate when considering his unconventional songwriting. Whatever the Byzantine structure, certainly there’s no part of his life left untouched—from his childhood growing up in Liverpool and London watching his father perform as a singer with the Joe Loss Orchestra to getting his first band together and on to becoming the jittery 1970s New Wave answer to Bob Dylan. Although Costello (born Declan MacManus) led a routine, working-class existence in his teens and early 20s, not surprisingly, the most scintillating time in his life to read about is his unlikely rise to fame in the ’70s with his band the Attractions and Stiff Records. Costello isn't coy when discussing the origins of his songs and detailing the often surprising musical influences behind them. His writing on his later elder statesman years—including his marriage to Diana Krall and his dabbling with string quartets and orchestras—is pleasantly informative, but his discussions of his middle ages are mostly akin to reading someone’s CV. They lack the same thrill of youth that drives the recollection of his hand-to-mouth days as a struggling punk.

Overlong but still packed with great lines, vivid anecdotes, and plenty of photos. Certainly a treat for his many fans.

Pub Date: Oct. 13, 2015

ISBN: 978-0-399-16725-6

Page Count: 688

Publisher: Blue Rider Press

Review Posted Online: Sept. 14, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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