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WHERE DO I BEGIN?

STORIES FROM A LIFE LIVED OUT LOUD

A people person offers a friendly, occasionally amusing peek behind the curtain of the radio business.

A memoir of a successful career built on a lifelong love affair with radio.

Duran, whose program is “the most-listened to Top 40 morning show,” presents himself less as a DJ and more as a people connector. He is in the business of making friends, both with unseen listeners and with the stars who appear on his broadcasts and reveal hidden dimensions of their characters. As much as he admires Howard Stern—“a hero to radio people,” he writes, and then continues, “he’s our North Star”—Duran’s own personality and approach are much different. The author is not abrasive and doesn’t try to put people on edge or make them uncomfortable. His radio program is more like a safe haven, where celebrities can let down their hair and be themselves, where those of whatever political affiliation or sexual orientation can feel like they belong. As a child of Dallas exurbia, Duran felt like “a weird kid trying to fit in.” He was not athletic or outgoing, and he realized he was somehow different than the rest of the kids even before he recognized that he was gay—or even knew what that meant. Radio offered a refuge and a connection, a place where he felt like he had a friend and could make friends. He started broadcasting from his own makeshift studio in his bedroom and then pursued it as a vocation. At first, he worked for small Texas stations before moving on to Houston (where cocaine almost derailed him) and other stops before landing in New York, where he has reigned as the morning host at Z100. He has made it seem easy, but here the author shows how and where it hasn’t been: the firings and job switches, the personal tolls in terms of romantic relationships, the dedication it takes to get to the top and stay there. Of radio, he writes, “it’s not about transmitters. It’s not about ad rates. It’s about connecting with people.”

A people person offers a friendly, occasionally amusing peek behind the curtain of the radio business.

Pub Date: Oct. 1, 2019

ISBN: 978-1-982106-33-1

Page Count: 288

Publisher: Atria

Review Posted Online: July 16, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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