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THE DOCTOR'S BLACK BAG

51 YEARS AS A GENERAL PHYSICIAN IN THE RURAL WEST

Engaging, sometimes-poignant, and occasionally acerbic stories from a longtime physician.

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A collection of debut short essays recalling the author’s experiences during five decades as a general practitioner in the American Southwest.

After completing medical school at the University of Texas’ Medical Branch at Galveston in 1956 and an internship in Columbus, Ohio, Schmidt began his career in 1957 in Keams Canyon, Arizona, working for the United States Public Health Service on the Hopi Reservation, which is surrounded by the Navajo Reservation. Some of his most compelling anecdotes come from this period, as they offer a window on midcentury Hopi and Navajo lifestyles and cultures. By 1959, he was ready to try private practice, and so he, his wife, and their two young sons moved to Slaton, Texas, where he joined the practice of an older doctor. Schmidt writes that he “failed to thrive in Slaton” for a variety of reasons, including inexperience, and he felt that it was time to move on. In 1961, he joined the practice of a physician in Jal, New Mexico, and when the other practitioner unexpectedly departed for a surgery residency, he became its solo practitioner. After 11 years of being on call at all hours of the day and night, an emotionally and physically drained Schmidt moved his family once again, this time opening a practice in Yuma, Arizona, where he would remain for more than 23 years. This memoir, which has a fluid timeline that moves back and forth over more than four decades, is loaded with vignettes about Schmidt’s experiences with individual patients. As a result, it effectively illustrates the day-to-day life of a general practitioner before the days of medical conglomerates. He opens, for instance, with an amusing tale about Christmas Eve 1962, in Jal, when he was repeatedly called to the emergency room to treat patients’ injuries after they tried out skateboards they gave their kids. He also occasionally vents about Medicare regulations regarding such things as doorway widths and about “new societal norms” that discourage diagnostic physical contact, but he also counsels that doctors must always listen to what their patients are saying—and, yes, he has a story for that.

Engaging, sometimes-poignant, and occasionally acerbic stories from a longtime physician.

Pub Date: Sept. 14, 2020

ISBN: 978-1-09-831026-4

Page Count: 204

Publisher: BookBaby

Review Posted Online: March 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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