A vibrant collection of confessional, polemical verses.
Xavier fashions and refashions his idea of himself in this newest collection of poems.
The author is used to seeing himself from the outside. In this collection, Xavier places the reader within the many perspectives through which he has been viewed over the years, from that of his white-passing mother (“Then there was me / indigenous child / unwanted / brown-skinned / with freckles / … / everyone wondering where I came from / Adopted?”) (“Feo”) to those of the long-lost siblings he attempted to reconnect with in adulthood (“My siblings never responded to my message / likely after finding out I was a childless, married // homosexual”) (“50%”). Along the way, the poet considers how he must have appeared to his abusive stepfather; to the men who bought his services while he labored as a teenage sex worker; and even to himself, in the mirror, after learning in middle-age that his birth father was not Puerto Rican but Ecuadorian: “I see Ecuador and no longer Puerto Rico // I see indigenous spirits moving across the backs of Amerindian’s — / Inca’s and Taino’s splattered with the red blood / of sacrificed chickens…” (“American Redux”). Xavier’s cadence varies from poem to poem—some verses read like prose broken (or not broken) into lines, while others feature staccato clauses dense with feeling. The rhythm is always musical, and the best pieces are rich with arresting images and barbed confessions: “There were times I felt like garbage on the side of the / dance floor, watching men fall in love under disco lights” (“Vial”). Some lines, burdened with strained metaphors, fall flat: “Lights from a galaxy / could take billions of years to reach me/us/them / racism from a stranger’s milky way / only takes seconds” (“Alienated”). Even at their least effective, however, these poems, in their evocation of the queer subculture of 1970s and 1980s New York City, capture the richness of a vanished time and place through the eyes of a poet perennially in flux.
A vibrant collection of confessional, polemical verses.Pub Date: Oct. 17, 2023
ISBN: 9781608642748
Page Count: 100
Publisher: Queer Mojo
Review Posted Online: Sept. 29, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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