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SQUIRREL AND JOHN MUIR

Caldecott Medalist McCully again successfully creates a narrative that pairs a rambunctious girl character with a fascinating historical figure. This inventive tale brings the personage of naturalist John Muir to life. In 1868, James Hutchings began a tourist business in the beautiful Yosemite Valley in 1868, and his daughter Floy was the first white child born in the valley. At six, her wild behavior of tearing around the valley, balancing on the woodpile plank, and capturing frogs earned her the nickname Squirrel. When John Muir arrived at Hutchings’s hotel seeking both work and knowledge about the natural world, Floy became his shadow, entranced by the wonders of nature that he showed her. The ending has Muir moving on but sharing his special place in the mountains, with her. McCully’s familiar watercolors beautifully capture the scenery while the simple text conveys the bond between the unlikely pair. A two-page author’s note provides historical background (Floy died tragically). A lovely tribute to the gentle genius of the Sierras that gives dimension to the man and respect to his name. (bibliography) (Picture book/historical fiction. 5-8)

Pub Date: Sept. 10, 2004

ISBN: 0-374-33697-0

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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MORE THAN ANYTHING ELSE

An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)

Pub Date: Sept. 1, 1995

ISBN: 0-531-09464-2

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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