by Emily Barton ‧ RELEASE DATE: March 1, 2006
A brilliant book that should be a strong Pulitzer Prize contender.
An 18th-century businesswoman plans to build a bridge across the East River connecting Manhattan with the villages then known as “Brookland,” in New York author Barton’s industriously researched second novel.
In a narrative that juxtaposes precise reminiscences with letters written to her married daughter Recompense, Prudence Winship Horsfield tells how she inherited the profitable gin distillery created by her father, Matthias Winship; overcame her own weaknesses and the envious condescension of men who resented her boldness; and realized an improbable dream that eventually failed to weather a hard winter. Prudence is a formidable character who quickly learns the intricacies of the distilling process (while still a pre-adolescent), achieves a successful marriage to her childhood friend Ben Horsfield (a trained surveyor, and her bridge-building partner) and earns the financial backing of tight-fisted state politicians. But there are darker currents in “Prue’s” life, directed by her brusque, unloving temperament. The “curse” young Prue pronounced on her unborn sister Pearl seems to have caused the “affliction” that robs Pearl of speech, and likewise poisons Prue’s relationships with her mother Roxana, the embattled Pearl and youngest sister “Tem”(perance), Prue’s temperamental opposite. Still, Prue perseveres, labors, studies (learning that she can employ “the principle of the lever” to create her bridge). But destiny is not denied. Delays, fatal accidents and a new governor’s withdrawal of funding, all work their will. A frustrated Prue angrily threatens the longsuffering Pearl’s last best hope for happiness. And everything Prue had embraced and envisioned proves as unstable as it had once seemed impermeable. No historical novel in recent memory has amassed such an imposing wealth of rich period detail, and few novels of any genre extend an increasingly absorbing story to such a powerful, sorrowful conclusion.
A brilliant book that should be a strong Pulitzer Prize contender.Pub Date: March 1, 2006
ISBN: 0-374-11690-3
Page Count: 512
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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by Emily Barton
BOOK REVIEW
by Emily Barton
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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