Three best friends spend the night before graduation in a run-down movie house.
Bertucci, Olivia, and Codman have been best friends all through high school, and on the eve of their graduation, the trio agrees to spend their final hours as high school students locked in the recently boarded-up Circle Cinema. In these few hours, truths are revealed, hearts are torn open, and futures are decided upon. These ambitions ultimately sink the novel. The enterprise is burdened with overthought dialogue, clumsy metaphors, and what comes across as a desperate desire to be seen as adult. The novel switches narrative perspective from teen to teen at the beginning of every chapter, but the device is unsuccessful: these characters all sound and think the same. These attributes almost make the book work as thematic commentary on the nature of teenage friendship, but unfortunately it doesn’t go much beyond the obvious observation that teens tend to think like their friends and are desperate to escape childhood. Throw in a half-baked love triangle and an apparent attempt to ape John Green and David Levithan's "Schrodinger's cat" metaphor from Will Grayson, Will Grayson (2010)—a metaphor that even that book barely pulled off—and you have a book that has all the hallmarks of a smart, sensitive book for teens but without the necessary nuance or emotional excitement.
An ambitious failure. (Fiction. 14-16)