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THE LIONESS OF BOSTON

A perennial tale of a woman fighting for her place in a man’s world.

A fictionalized telling of the life of American art collector Isabella Stewart Gardner, whose story resounds with contemporary themes.

Despite her efforts, recently married Isabella can’t fit into Boston’s high society. Her humor is too brash, her fashion is never au courant, and, most damnable of all, she’s not content to sit around with the ladies while the men get to discuss literature and art. Isabella’s early married life is marked by tragedy—first she takes a long time to conceive, then she loses her 2-year-old to pneumonia and, shortly after, suffers a miscarriage that leaves her permanently unable to get pregnant. These compounding tragedies push Isabella even further out from Boston’s elite inner circle—after all, how can a woman in the mid-1800s hope to belong to high society if she's not even a mother? But in spite of these tragedies (or, perhaps, because of them?), Isabella is more determined than ever to find her place. With her husband, Jack, Isabella sets off on a European voyage during which she meets a host of famous artists and authors, thus launching her life’s passion: collecting people and their work. Isabella’s correspondence with those we now know as greats (Henry James, John Singer Sargent, and Oscar Wilde, to name a few) are delightfully sprinkled throughout the novel. Historians may bristle at Franklin’s choice to present as true aspects of Isabella’s life that others have merely speculated about, such as her possible affair with author F. Marion Crawford. Nonetheless, Franklin paints an engaging portrait of a bold yet vulnerable woman whose feminist determination will certainly appeal to contemporary readers, as will her desires for belonging, acceptance, and the often elusive quest to lead a life of purpose: “Is it wrong for a woman to want more?…Oh, how I want and want and want—to study the library arches and entertain and feel myself integral to the world as though I am the walls of a house.”

A perennial tale of a woman fighting for her place in a man’s world.

Pub Date: April 11, 2023

ISBN: 9781567927405

Page Count: 400

Publisher: Godine

Review Posted Online: Feb. 23, 2023

Kirkus Reviews Issue: March 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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