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WHERE WE BELONG

Giffin’s moving storyline offers great pacing, believable, disparate characters and a plot that could easily careen into...

Kirby Rose turns 18, hops on a Greyhound bus from St. Louis to Manhattan and with no warning, knocks on the Fifth Avenue apartment door of her birth mother, Marian Caldwell—a move that will send them both on a journey of rediscovery, questioning everything they thought they knew about love, family, secrets and second chances.

Kirby is a classic underachiever in a family who values things she scorns and is mystified by the things she loves. Adopted when she was days old to a couple who’d concluded they’d never have kids, she’s grown up on the story, as much a part of the family history as the surprise of her sister’s “real” birth 11 months later. It’s only when she gets to high school that she feels disconnected to her adoptive family, and by the time she’s a senior, there’s a frustration on all sides that Kirby has failed in some way. Not clear on her own motivations, Kirby sets out to find her birth mother, landing unannounced on Marian’s Manhattan penthouse doorstep. Connecting with her daughter knocks Marian off her content, polished life path—and forces her to question the choices she’s made, the secrets she’s kept, the people she loves and the ones she’s left behind. Ultimately, Kirby and Marian will set off together to find the one person they both need to put all the pieces together, offering Kirby the confidence to embrace who she really is and Marian the opportunity to right some long-standing transgressions. Along the way, both women will revisit questions of family, identity, secrets and love—and what it truly means to belong. Giffin delivers an emotionally poignant and reflective look at teen pregnancy through a rearview mirror and how 18 years later, one woman’s hindsight is sometimes too easy, and sometimes too hard, on her adolescent self. And yet, on a certain level, as all parties come to understand, it doesn’t exactly matter. What really matters is how one chooses to live today—to express love, to live authentically and to embrace life itself, even when it lands on your doorstep in unexpected ways when you’re least prepared for it. 

Giffin’s moving storyline offers great pacing, believable, disparate characters and a plot that could easily careen into maudlin territory, unlikable stereotypes or over-the-top emotionalism but never does: a sweet, even-keeled winner.

Pub Date: July 24, 2012

ISBN: 978-0-312-55419-4

Page Count: 383

Publisher: St. Martin's

Review Posted Online: Sept. 24, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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