A solid tale that effectively showcases its strong women characters.
In Kimelman’s (Flame Road, 2017, etc.) latest series thriller, Sydney Rye and her canine sidekick must protect each other in war-torn Iraq as they aid Kurdish female freedom fighters in their fight against Islamic State group terrorists.
Sydney was the inspiration for Joyful Justice, a worldwide vigilante network. Born Joy Humbolt, she became famous for allegedly killing her brother’s infamous murderer. In reality, someone else killed him, and Sydney just took the rap. Now Declan Doyle of the U.S. Department of Homeland Security is threatening to reveal her secret and send her to prison for various crimes, but his superior, Mary Leventhal, has another idea. She wants Sydney to help the FKP, a group of Kurdish female fighters, exterminate members of the Islamic State group who abuse and kidnap women. Specifically, Mary believes that Sydney can inspire more women to join the FKP’s revolution. Once Sydney’s in Iraq, though, bombings separate her and her ever present dog, Blue, from the rest of the team. She later joins up with an FKP fighter named Zerzan Khani, aka “The Tigress,” and the small group braves the Iraqi forest and occasional terrorist attacks as they set about rescuing a captured ally. But even if Sydney succeeds in recruiting women to the rebel cause, she may still be at risk of going to prison—or worse. Kimelman’s characters repeatedly cite an IS belief that men won’t go to heaven if women kill them, and this book, unlike some other thrillers, never treats the notion of battle-ready women as a novelty. Taut action sequences describe Sydney and Zerzan as proficient killers with warriors’ mindsets: “I didn’t have enough bullets to make many mistakes,” Sydney muses. The book also explores some potent and sometimes-gloomy notions, such as Sydney’s assertion that violence is the only way to combat men’s violent ways. That said, the idea of Sydney being an inspiration to large groups of women isn’t entirely convincing. Other characters’ stories, in fact, have more impact; for example, Sydney tells of Tanya, a sex slave who fought back and incited a revolution with a viral video of her retribution. The book’s superb, ambiguous ending, however, is sure to stick with readers.
A solid tale that effectively showcases its strong women characters.Pub Date: Sept. 7, 2016
ISBN: N/A
Page Count: 220
Publisher: CreateSpace
Review Posted Online: Sept. 26, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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