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THE TURNING

A dishonest ending to an otherwise well-conceived story.

A half-human, half-selkie boy searches for a way to belong.

For his first 11 years, Aran considered himself wholly a selkie pup, living with his mother and a small clan of other adult selkies. Most selkies—seals who can transform into human shape—are born wearing their pelts, but pale-skinned Aran wasn’t; his mother assures him it’s only a matter of time. Being stuck “in longlimbs” means that Aran can’t swim as fast or far as his clan members, which prevents his mother and him from migrating or attending the selkie Moon Day rites with the others. He drinks salt water rather than fresh, but he can’t hold his breath underwater for nearly as long as the rest. When he learns that his father was actually a human man, he fears he’ll never get his pelt. Finally his clan heads north to seek advice and possibly a pelt from the ancient wise ones, leaving Aran behind. Aran forges a cautious life as a partial human, making friends with a brown-skinned, biracial girl named Nellie and her artist grandfather, a white man. Still, the sea calls him every day, and when violence threatens, Aran flees. Told from Aran’s first-person point of view, the story goes smoothly to that point despite some minor flaws in the worldbuilding, only to wreck against the craggy reef of its ending, which rejects his essential duality.

A dishonest ending to an otherwise well-conceived story. (Fantasy. 8-12)

Pub Date: July 24, 2018

ISBN: 978-0-06-265795-4

Page Count: 400

Publisher: Greenwillow Books

Review Posted Online: April 24, 2018

Kirkus Reviews Issue: May 15, 2018

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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