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THE ENTERTAINER

A pleasant party bonbon.

When the family hires the man in the big, brown bear suit to entertain at Billy's birthday party, many surprises follow.

He wears a little purple hat and is greeted with cheers by the party guests. After voraciously consuming the proffered tea and biscuits, he lets out a surprising "BURP!" (Both Mom and Dad notice his bad manners.) The children chase him through the door, and he slips on a skateboard, spinning and whirling before crashing into a lamp. The kids love it, but the parents are rather horrified, even more so when he eats a bunch of flowers and glugs down all the water in the jug. The children want to try on his suit, but they can't seem to get it off...or even find a zipper. The Entertainer finds the birthday spread and eats it all, triggering a big sprawling snooze right there on the table. (Luckily, Mom had put the cake in the fridge.) Frazzled Mom and Dad are exhausted by the end of the party, but Billy wants to have him back next year. The doorbell rings; who should be standing in the doorway but a real man in a bear suit. Dodd's illustrations are colorful, and her story rhymes briskly, with droll, two-couplet etiquette tips tucked into page corners. Children, of course, will have tumbled to the Entertainer’s real identity long before the characters do.

A pleasant party bonbon. (Picture book. 3-6)

Pub Date: June 2, 2015

ISBN: 978-1-4998-0078-4

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: March 24, 2015

Kirkus Reviews Issue: April 15, 2015

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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