Darkly compelling, illuminated by the light of compassion and tenderness: Donoghue’s best novel since Room (2010).
A nurse in a Dublin hospital battles the ordinary hazards of childbirth and the extraordinary dangers of the 1918 flu.
Donoghue began writing this novel during the 1918 pandemic’s centennial year, before COVID-19 gave it the grim contemporary relevance echoing through her text: signs warning, “IF IN DOUBT, DON’T STIR OUT,” an overwhelmed hospital bedding patients on the floor, stores running out of disinfectant. These details provide a thrumming background noise to the central drama of women’s lives brought into hard focus by pregnancy and birth. Julia Power works in Maternity/Fever, a supply room converted to handle pregnant women infected with the flu. The disease makes labor and delivery even more high risk than normal. On Oct. 31, 1918, Julia arrives to learn that one of her patients died in the night, and over the next two days we see her cope with three harrowing deliveries, only one of which ends well. Donoghue depicts these deliveries in unflinching detail, but the gruesome particulars serve to underscore Julia’s heroic commitment to saving women and their babies in a world that does little for either. Her budding friendship with able new assistant Bridie Sweeney, one of the ill-treated “boarders” at a nearby convent, gives Julia a glimpse of how unwanted and illegitimate children are abused in Catholic Ireland. As far as she’s concerned, the common saying “She doesn’t love him unless she gives him twelve,” referring to children, reveals total indifference to women’s health and their children’s prospects. Donoghue isn’t a showy writer, but her prose sings with blunt poetry, as in the exchange between Julia and Bridie that gives the novel its title. Influenza gets its name from an old Italian belief that it was the influence of the stars that made you sick, Julia explains; Bridie responds, “As if, when it’s your time, your star gives you a yank.” Their relationship forms the emotional core of a story rich in swift, assured sketches of achingly human characters coping as best they can in extreme circumstances.
Darkly compelling, illuminated by the light of compassion and tenderness: Donoghue’s best novel since Room (2010).Pub Date: July 21, 2020
ISBN: 978-0-316-49901-9
Page Count: 304
Publisher: Little, Brown
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
PERSPECTIVES
More fine work from the talented Donoghue.
Three monks seek refuge from worldly temptation on a remote island off the Irish coast.
Great Skellig, a rocky outcrop with no groundwater and scant vegetation, is hardly a promising place to establish a settlement. This matters not at all to Brother Artt, focused on purity and piety to an extent that’s extreme even by the standards of the early Middle Ages. “Does God not visit those who love him in the wildest wastes?” he asks his two companions, who at first are awed by the holy man who has chosen them to serve him on this mission. Taking one of her regular breaks from contemporary fiction, Donoghue has left behind none of her ability to spin a compelling story and people it with sharp characterizations. Young Trian, given to a monastery by his parents at age 13 for an unnamed defect, grows in confidence on the island and becomes increasingly sullen about the endless copying of sacred manuscripts at the expense of pressing tasks like finding food. Elderly Cormac, who came to the cloistered life after the death of his wife and children, has myriad practical skills and an engaging love of storytelling; Christianity for him seems to be a series of marvelous yarns. But even resourceful Cormac struggles to keep the trio alive as winter approaches and Artt’s demands grow increasingly onerous: They must build an altar before a shelter to sleep in; he forbids trade with nearby islands for desperately needed supplies as a source of sinful contamination. Generating narrative tension from a minimum of action, Donoghue brings the monks’ conflicts to a climax when Trian falls ill and a long-kept secret is revealed. Artt’s bigoted response provokes a confrontation that brings the novel to a satisfying conclusion. Reminiscent of Room (2010) in its portrayal of fraught interactions in a confined space, this medieval excursion lacks its bestselling predecessor’s broad appeal, but the author’s more adventurous fans will appreciate her skilled handling of challenging material.
More fine work from the talented Donoghue.Pub Date: Aug. 23, 2022
ISBN: 978-0-316-41393-0
Page Count: 272
Publisher: Little, Brown
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
History flows like molten glass in this stunning novel that borders on fantasy.
“Time passes differently” in this centuries-spanning story set on the Island of Glass.
This impressive novel about family, art, and tradition takes place on Murano, just off the coast of Venice, Italy, where generations of artisans have created beautiful glassware. Chevalier centers this engaging story on Orsola Rosso, who, as the novel opens in 1486, watches with envy as the men in her family turn molten glass into goblets, platters, and bowls using techniques passed from father to son. Tradition can’t stop Orsola, who learns how to make glass beads that can be used to create exquisite jewelry. The money Orsola earns from her creations will save her family many times over the course of the novel as the world changes and Murano’s fortunes rise and fall. Chevalier cleverly warps the time continuum on Murano—decades can pass, but the people age only a few years. She situates us in the real world, though, where—like swirls of color that appear to flow through translucent glass—history moves forward from the Italian Renaissance through plagues, the Napoleonic era, and world wars up to the 21st century and Covid-19. Time barely ages the Muranese, but their lives are impacted by the outer world’s changes and upheavals. Between fascinating descriptions of artisans at work and the glassware they create, Chevalier embeds a love story that transcends time as Orsola, across 500 years, holds on to the love she carries for a man she knew in her youth. With colorful narrative and dialogue, Chevalier—author of Girl With a Pearl Earring (1999)—lets time roll forward through independent women who are determined to shape glass into works of art and frame life paths of their own design.
History flows like molten glass in this stunning novel that borders on fantasy.Pub Date: June 18, 2024
ISBN: 9780525558279
Page Count: 416
Publisher: Viking
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
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