A tip of the hat to this delightful rendition of an old song, updated with memorable illustrations and a modern cast of...

READ REVIEW

THE TWELVE DAYS OF CHRISTMAS

This handsome rendition of the classic holiday song features a striking black cover with a folk-art–style floral border and the title in gold letters.

The visual story begins with a little girl dressed in an old-fashioned coat, receiving her first gift of a partridge in a potted pear tree. The smiling girl has light skin, pink cheeks, and a long, dark braid. On subsequent days, she receives the next gift on the left-hand page with the accumulated earlier gifts attractively arrayed on the right-hand page. The girl wears a different costume on each day, always with red bows on her braid. The double-page spreads effectively use white backgrounds and delicate floral borders augmented with tiny details appropriate to that day’s gifts. In the later gift days with human characters, each person within a group wears a different style of costume, and half the characters within each group are people of color. The final spread shows the little girl back home with her pear tree and partridge, with a light-skinned boy coming up the path, tipping his hat to his “true love.” Top-notch production values abound, including the intriguing cover, floral endpapers, thick paper, and an appealing, accessible overall design.

A tip of the hat to this delightful rendition of an old song, updated with memorable illustrations and a modern cast of characters. (Picture book. 3-7)

Pub Date: Oct. 17, 2017

ISBN: 978-0-515-15763-5

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

Did you like this book?

No Comments Yet

Should have readers and caregivers singing, clapping, and bouncing along.

THE BUTTON BOOK

This picture book plays on the universal temptation to push buttons.

A squirrel—presumably the first-person narrator of the book—finds a large, round, red button and wonders what would happen when it’s pressed. The squirrel presses the button, and a large rubber horn pops up and honks: “Beep!” The sound attracts a bird and a dog, and together the three come across a triangular orange button. “What does the orange button do?” they wonder, and they discover that it causes them all to clap. As the picture book progresses, other animals—including an elephant, a tortoise, a deer, and a small dinosaur—join the trio, and together they come across and press a giant hexagonal blue button, a round green button, a yellow button (literally—it looks as though it’s come off a coat), a square pink button, and a small purple button that can only be reached by climbing a ladder. Each of the buttons makes the friends do something different, from singing and bouncing to blowing raspberries. British writer Nicholls’ simple, silly narrative and Woollvin’s colorfully childlike illustrations result in a fun picture book that incorporates shapes and colors and that can be used at home and in libraries and classrooms. Pages are dominated by gray with accents—including the animals’ fur and feathers—changing to match the color of each button.

Should have readers and caregivers singing, clapping, and bouncing along. (Picture book. 3-6)

Pub Date: Jan. 14, 2020

ISBN: 978-0-7352-6715-2

Page Count: 32

Publisher: Tundra

Review Posted Online: Oct. 23, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

No Comments Yet
  • SPONSORED PLACEMENT

A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

Did you like this book?

No Comments Yet

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

Did you like this book?

No Comments Yet
more