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SIDNEY, STELLA, AND THE MOON

Yawn. Skip the text and stick with the illustrations—the result is more entertaining.

A slim, didactic text is somewhat redeemed by lively, inventive illustrations.

Stella and Sidney are twins and playmates whose momentary tussle over a bouncy ball leads to a surprising dead-on blow to the full moon in the sky and the children’s search for a replacement for the moon. Each spread is filled with Yarlett’s intriguing digital art, with small details, hints of collage, some hand-lettering throughout and plenty of kinetic perspectives. A double gatefold (Sidney and Stella’s front door) opens to a crowded street scene where the suddenly absent moon is big news, with missing posters, vendors with moon balloons and bewildered astronauts among the multitudes. Weaknesses in the textual narrative seem like the result of trying to do too many things. The hand-lettered caption “[f]eeding the quacks*” in the opening double-page illustration of the pair throwing bread into a pond is accompanied by the explanatory “*ducks” just below—but as the protagonists turn out to be older than toddlers and the silliness isn’t repeated, the humor seems flat. Readers are quizzed rhetorically about “one thing that Stella and Sidney did not do together.” “I wonder what that could be?” leads to telling, barely showing, that the twins “did not SHARE.”

Yawn. Skip the text and stick with the illustrations—the result is more entertaining. (Picture book. 4-7)

Pub Date: Oct. 22, 2013

ISBN: 978-0-7636-6623-1

Page Count: 44

Publisher: Templar/Candlewick

Review Posted Online: June 15, 2013

Kirkus Reviews Issue: July 15, 2013

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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