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THE BOY WITH A BIRD IN HIS CHEST

Embrace magic and suspend your disbelief and this novel may just take you on a beautiful, necessary journey.

A boy with a bird in his chest navigates all the perils of adolescence while learning to accept and celebrate his queerness.

Arriving during the yearly floods in Morning, Montana, Owen is born with a mysterious heart ailment. His mother, Janice, takes him home, expecting the worst. Instead, she awakens one morning to see a baby bird settled “inside the rib cage, next to his heart and lungs.” So begins Owen’s life as a boy with a secret, a boy who is kept inside by his mother, a boy with only the bird, Gail, for company. And so begins Lund's symbolic tale of growing up queer in the early 2000s. Isolated and hidden from the rest of the world for most of his childhood, Owen begins to long for companionship as he enters adolescence. But his mother's concern for his safety from "the Army of Acronyms" is warranted; when he enters a doctor's office in an emergency, the doctor calls him a "Terror," and Owen barely escapes. To protect her son, Janice takes him to live with her brother and his daughter, Tennessee. What follows is Owen’s coming-of-age story: his efforts to survive high school, his sexual awakening, and his growing pull toward water and the ocean. In a lovely piece of magical realism, Gail is physical proof of Owen’s difference from the people around him, but she also plays a parental role, offering advice and care. Owen's queerness is presented both as an essential piece of his identity from birth and as a piece of himself that he must keep secret. He struggles with self-confidence and belonging and with suicidal thoughts. Yet in the end, it is love that will save him—love, Gail, and the infinite beauty and power of the ocean. The novel follows the conventional structure of a bildungsroman, but the symbolism is decidedly unconventional. And while it takes a little while to sort out the layers of literal versus figurative meaning, the strangeness sets it apart from other coming-of-age stories.

Embrace magic and suspend your disbelief and this novel may just take you on a beautiful, necessary journey.

Pub Date: Feb. 15, 2022

ISBN: 978-1-9821-7193-3

Page Count: 320

Publisher: Atria

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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MAAME

A fresh, often funny, always poignant take on the coming-of-age novel.

After a loss, a young British woman from a Ghanaian family reassesses her responsibilities.

Her name is Maddie, but the young protagonist in George’s engaging coming-of-age novel has always been known to her family as Maame, meaning woman. On the surface, this nickname is praise for Maddie’s reliability. Though she’s only 25, she works full time at a London publishing house and cares for her father, who’s in the late stages of Parkinson’s disease. Maddie’s older brother, James, has little interest in helping out, and their mother is living in Ghana and running the business she inherited from her own father. When she needs money, she always calls Maddie, who shoulders these expectations and burdens without complaint, never telling her friends about her frustrations: “We’re Ghanaian, so we do things differently” is an idea that's ingrained in her. Her only confidant is Google, to whom she types desperate questions and gets only moderately helpful responses. (Google does not truly understand the demands of a religious yet remote African-born mother.) But when Maddie loses her job and tragedy strikes, she begins to question the limits of family duty and wonders what sort of life she can create for herself. With a light but firm touch, George illustrates the casual racism a young Black woman can face in the British (or American) workplace and how cultural barriers can stand in the way of aspects of contemporary life such as understanding and treating depression. She examines Maddie’s awkward steps toward adulthood and its messy stew of responsibility, love, and sex with insight and compassion. The key to writing a memorable bildungsroman is creating an unforgettable character, and George has fashioned an appealing hero here: You can’t help but root for Maddie’s emancipation. Funny, awkward, and sometimes painful, her blossoming is a real delight to witness.

A fresh, often funny, always poignant take on the coming-of-age novel.

Pub Date: Jan. 31, 2023

ISBN: 978-1-2502-8252-1

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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