Memoir of a Jaded Woman

Name: Memoir of a Jaded Woman
Author: Emunah La-Paz
ISBN: 978-0-9665400-5-5

by Emunah La-Paz ‧ RELEASE DATE: Nov. 5, 2016

Pleasurable venting with a positive, uplifting ending.

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A blogger becomes inspired by a friend’s troubled marriage in this relationship guide.

While working in Arizona, La-Paz (Why Do Married Men Cheat with Unattractive Women? 2011, etc.), “a five-foot- seven-inch black woman who had to watch my weight continuously to fit the bill as a print model,” met blonde, “regal” Judie on a photo shoot. Although Judie “had graced the cover of numerous high-end magazines,” she was desperately unhappy, having recently discovered that her photographer husband was cheating on her with an unattractive fast-food worker. Judie’s angry pal Jessie encouraged La-Paz to write a book about this phenomenon—men having affairs with women less attractive than their wives—which led to La-Paz meeting Judie’s soon-to-be ex and his girlfriend. She also gathered together a focus group of “seasoned women who have overcome every aspect of a challenging marriage” and created a blog in which other people could sound off about infidelity. In this book, La-Paz shares highlights of these meetings and submissions; she also weaves in the relationship challenges of her own girlfriends and of the women in her Bible study group. She wraps up by sharing Judie’s 40-day journal, revealing the model’s post-divorce journey to greater self-love and a new, happier relationship; she also reveals the testimony of one of the “seasoned women” who got over her rage and bitterness—and saved her marriage—by turning to God. The author brings a lively, wry tone to this book, which includes many of her own entertaining opinions (“There was a new queen in his life, Ms. Burger Queen. Judie was now an outcast vegetarian, tossed to the side like a bag of soggy lettuce”). Overall, this is a compendium of raging, amusing, and ultimately balanced perspectives, including those of many men and their girlfriends. La-Paz’s advocacy of Bible study is admirable; however, it sits a bit oddly at times in this book’s worldly, “jaded” mix.

Pleasurable venting with a positive, uplifting ending.

Pub Date: Nov. 5, 2016

ISBN: 978-0-9665400-5-5

Page Count: 226

Publisher: Hubbard Small Press Publications

Review Posted Online: Oct. 12, 2016

Review Program: Kirkus Indie

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.