Pleasurable venting with a positive, uplifting ending.
A blogger becomes inspired by a friend’s troubled marriage in this relationship guide.
While working in Arizona, La-Paz (Why Do Married Men Cheat with Unattractive Women? 2011, etc.), “a five-foot- seven-inch black woman who had to watch my weight continuously to fit the bill as a print model,” met blonde, “regal” Judie on a photo shoot. Although Judie “had graced the cover of numerous high-end magazines,” she was desperately unhappy, having recently discovered that her photographer husband was cheating on her with an unattractive fast-food worker. Judie’s angry pal Jessie encouraged La-Paz to write a book about this phenomenon—men having affairs with women less attractive than their wives—which led to La-Paz meeting Judie’s soon-to-be ex and his girlfriend. She also gathered together a focus group of “seasoned women who have overcome every aspect of a challenging marriage” and created a blog in which other people could sound off about infidelity. In this book, La-Paz shares highlights of these meetings and submissions; she also weaves in the relationship challenges of her own girlfriends and of the women in her Bible study group. She wraps up by sharing Judie’s 40-day journal, revealing the model’s post-divorce journey to greater self-love and a new, happier relationship; she also reveals the testimony of one of the “seasoned women” who got over her rage and bitterness—and saved her marriage—by turning to God. The author brings a lively, wry tone to this book, which includes many of her own entertaining opinions (“There was a new queen in his life, Ms. Burger Queen. Judie was now an outcast vegetarian, tossed to the side like a bag of soggy lettuce”). Overall, this is a compendium of raging, amusing, and ultimately balanced perspectives, including those of many men and their girlfriends. La-Paz’s advocacy of Bible study is admirable; however, it sits a bit oddly at times in this book’s worldly, “jaded” mix.
Pleasurable venting with a positive, uplifting ending.Pub Date: Nov. 5, 2016
ISBN: 978-0-9665400-5-5
Page Count: 226
Publisher: Hubbard Small Press Publications
Review Posted Online: Oct. 12, 2016
Review Program: Kirkus Indie
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
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