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THE BOOK OF SUMMERS

Name: THE BOOK OF SUMMERS
Author: Emylia Hall
ISBN: 978-0-7783-1411-0

by Emylia Hall ‧ RELEASE DATE: June 1, 2012

A poignant tale of a daughter strung between two parents and of the kind of silence and secrets that destroy families.

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A young woman confronts her magical, tragic past when she receives a scrapbook of the summers spent with her estranged mother.

Despite working in the London art world, Beth Lowe lives a reserved life. She sees her father (a mere shadow of a man) on occasion, but hasn’t spoken to her mother in 15 years. Then a package arrives, a handmade scrapbook marked The Book of Summers. Tucked inside is a note from her mother’s longtime lover Zoltán, informing Beth that her mother has died. She grabs the album and heads to the park to recall memories she banished as a teenager. Her quiet English father and wild Hungarian mother seemed an odd pair, but 9-year-old Erzsi (the Hungarian of Elizabeth) is a happy child excited about the family vacation to Hungary, the first time Marika has been back since she escaped as a girl. But on vacation, the incomprehensible happens: Marika decides to stay and sends David and little Erzsi back home to England. Her mother’s abandonment is almost too much to take, and Erzsi pines for letters and phone calls as her home life with her father (tea and detective shows) becomes unbearably gray. But then summer comes, and Erzsi is allowed to visit her mother. Marika and artist Zoltán live in a country house dominated by art and laughter and nature—a bohemian counterpart to the lonesome domesticity of Erzsi’s English life. Down the road lives Tamás, a boy Erzsi’s age, who shows her the pool in the forest, a touchstone for her subsequent stays. Every year she returns to Marika and their Hungarian summers and falls in love anew. Hall nicely captures a girl’s adolescence, as Erzsi waits all year to bloom under the Hungarian sun, under her mother’s care. At 16 Erzsi begs her mother to let her stay in Hungary. It is then that Marika tells her the truth: It’s a heartbreaking rewriting of history.

A poignant tale of a daughter strung between two parents and of the kind of silence and secrets that destroy families.

Pub Date: June 1, 2012

ISBN: 978-0-7783-1411-0

Page Count: 368

Publisher: Harlequin MIRA

Review Posted Online: April 28, 2012

Kirkus Reviews Issue: June 1, 2012

Categories:

GENERAL FICTION

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BETWEEN SISTERS

by Kristin Hannah ‧ RELEASE DATE: May 1, 2003

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

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Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:

GENERAL FICTION

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THE ALCHEMIST

by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

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Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.

The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.